Ladies of the Lakes now available in print form

kendal castle by Myfanwy tristram

If you enjoyed reading Ladies of the Lakes, you may like to know that I’ve had a small run printed up, and it’s now for sale in my shop.

The story happens in and around the Lakes Comics Festival, and I’ll be there again this October. It seems likely that these will appeal to the festival-goers in Kendal (well, I hope so!) and that’s why I’ve had them printed, but I’ll also be putting them in a few local comic shops, and of course selling them directly online.

As usual, Rich at Comic Printing UK has done a really superb job with the quality of paper and print — they feel lovely — so while this might be the most redundant recommendation in the Small Press world (I suspect most UK comic makers already know about him) let me get in a quick recommendation for his services, if you’re in the market for printing too.

Going digital

by Myfanwy Tristram

Now that Ladies of the Lakes is largely out of the way (I am going to redraw two or three frames and add a cover before I send it to the printers), I’ve finally had time to play with my new laptop.

We’re very lucky at my workplace, in that they provide us with a laptop to work on: our choice of model, up to a price limit. If we want to, we can add our own money on top to get a more expensive one, and that’s how I have come into possession of a machine that I’d never have considered buying outright for my own purposes only – the Microsoft Surface Book.

I’m enjoying it for my work needs, and getting used to the fact that it’s a tablet/laptop hybrid: you can remove the screen and use it on its own, and even with the keyboard part attached, you can still navigate and interact via the touchscreen.

But what I’m enjoying it for outside my work hours is the fact that, with the special pen it comes bundled with, you can draw directly onto the screen. Now, it’s not like I’ve never done any digital drawing, but this is different from what I’m used to with my desktop, where I plug in a Wacom tablet sometimes: there, you’re drawing on the flat surface in front of you, but seeing the results come up on the monitor.

I wanted some time to figure out the set-up, and after frustrating experiences finding out, for example, that my version of the Photoshop Elements program wasn’t compatible with the Surface Pen, and researching various other apps, I came across Leonardo, which was specifically developed with the Surface Book in mind.

Cannily, they offer a trial period, perhaps in the knowledge that once you try it out you’ll be hooked. Leonardo doesn’t offer quite everything I’m used to in Photoshop (for example there’s no way to export in CMYK, no importing of brushes, and no clone stamp – plus lots of other features no doubt that I haven’t yet come across) but I do like the ‘infinite canvas’ which ensures you never run out of space to draw on, and I’m finding the shortcut menus really handy.

Here’s me giving it some trial runs:

 

Myfanwy Tristram

Myfanwy Tristram

No need to tell you what my train of thought was at this point – you can see for yourself.

And then I decided to try it out on a cover for Ladies of the Lakes (I drew in pencil, scanned in and then coloured over the top – this is it mid-colouring):

Myfanwy Tristram

and finally I’ve been mucking about with an idea for the flyleaves:

Myfanwy Tristram

Myfanwy Tristram

Still needs a bit of work but I’m impressed with what you can do on  a screen. I think my next challenge is going to be learning how to make brush strokes look a bit more natural and less ‘digital’.

Save

Save

Draw The Line coverage

Draw The Line logo by Karrie Fransman

There’s been quite a bit of press on the launch of Draw The Line, which has really helped spread the word. Some of the more notable examples:

  • Broken Frontier were nice enough to let me natter on at length
  • Forbidden Planet's piece brought us lots of visitors
  • Standard Issue's Jo Neary, who was one of the Draw The Line artists, interviewed me too
  • Our aims obviously chimed very well with Positive News and they’ve been tweeting out the images as well as covering us in this piece

Thanks also to everyone who is sharing Draw The Line on social media — it’s been great to see the images get such wide coverage. As a reminder,they’re all covered under a Creative Commons licence, which means that anyone is welcome to share them on their own website or elsewhere, so long as the artist is credited and the use is non-commercial.

We’re also on pretty much every social media channel ourselves, so if you’d like to see the images at a steady pace of a couple per day, you can follow Draw The Line on Twitter, Facebook, Tumblr and Instagram.

I’ve already shared my own work for Draw The Line so here are a couple more that I really like (although in truth, it is hard to pick: I am fond of so many of them).

Image by Nicholas Sputnik MillerImage by Nicholas Sputnik Miller


Image by Karen Rubins
Image by Karen Rubins

And of course you can see all the rest at www.drawthelinecomics.com.

Draw The Line is live: 120+ artists show positive political actions that anyone can take

As you may remember, back in October, I went for a run and came back with a glimmer of an idea.

Remind me not to go running again: that little seed grew into a project that has taken up every spare moment since then. But today, most of the hard work is over. Today we launch Draw The Line.

Draw The Line

It’s been astonishing to watch, as what I’d conceived as a modest small press project blossomed, and more and more comic artists came on board (139 of them at the final count). Every single one of them is a superstar in my books, but it’s perhaps worth mentioning the bigger names, just to underline how the project grew so much bigger than I’d imagined. So, look out for work by Rachael Ball, Hannah Berry, Kate Charlesworth, Hunt Emerson, Kate Evans, Karrie Fransman, James Harvey, Lucy Knisley, Dave McKean, Fumio Obata, and Nye Wright among many, many other equally deserving but less-known comic artists.

What’s it all about?

The project was a reaction to the nasty politics that is prevalent right now — politics that is leaving ordinary people feeling hopeless, voiceless and powerless. The original aim has stood fast through the project, even as this large group of comic artists worked together to brainstorm the content: every action would show a way to make things a little better, to get your voice heard, to counter the negatives in the current political environment, or to offer support where government is whipping it away.

Draw The Line logo by Karrie Fransman

Each artist was allocated a single action to draw (some took 2), and then came the fun part, as image after image flooded my inbox. Some artists interpreted the brief in a surprising way, some chose to draw a single image, others went for a full-page comic strip, and every one showed thought, attention and intelligence in the way that they translated the action into something visual.

At launch, what do we have? I hope, a toolkit for political action that is also immense fun to dip into. We’ve arranged the actions so that there are ones kids can take, ones you can take if you’re skint, ones that will help women, refugees, minorities, and many many more.

Many of the actions are, of course, obvious: everyone knows how to sign a petition or wear a badge — these will serve as a reminder. Some of them, like the Raging Grannies, were new to me, and a real delight to discover.

Finally, the Next Steps page is where the real action is: that’s where we link out to the many organisations doing solid work in these areas, to learn how you can support or even join them.

On a personal level, I have something too: a new network of comics friends and associates; an understanding of how simple (if time-consuming) it is to devise and actualise a project like this; and something approaching optimism, thanks to this concrete proof that there are many others who feel the way that I do.

Share it around

Please do tell everyone you know, via your blog, social media, email and in the street. we’d love this project to reach everyone who needs it. And, after a little break, we’ll be moving onto phase two, which is to see how we can create Draw The Line in book form.

If you’d like to follow Draw The Line elsewhere, we have a Facebook page, a Tumblr, an Instagram account and a Twitter feed.

Many thanks to my co-administrators:

Karrie Fransman
Graeme McGregor
Simon Russell
Zara Slattery
Martin Wright

And now, since this is my blog, I’m going to share the two pieces I drew. If you’d like to see everyone else’s work, of course, you’ll have to visit the Draw The Line site. :)

Eschew the New by Myfanwy Tristram, from the Draw The Line comic project at www.drawthelinecomics.com
Buy second hand. You’ll be benefiting a charity if it’s from a thrift store, or helping out the seller if you buy direct. Either way, you’ll be circumventing big business and shrinking your carbon footprint.

Go Cross Country by Myfanwy Nixon, from the Draw The Line comic project at www.drawthelinecomics.com

Taking fewer flights can be a reward in itself, if you take time to enjoy the journey as well as the destination. Work in some extra time to go by train, boat, bus, bicycle, or a combination of all the above.

My #HourlyComicDay 2017 in full

Myfanwy Tristram Hourly Comic Day 2017 www.myfanwytristram.com

I’ve been absolutely up to my neck in the Draw The Line project (comic artists drawing positive political actions that anyone can take), but when Hourly Comic Day rolled around, I couldn’t bear the thought of not taking part.

I’ve participated for the past three years, and the concept chimes very well with my tendency towards diary-based comics. This year though, I’d be in Leeds with work, for an all-day meeting that would neither allow for the luxury of regular drawings and uploads, nor provide very interesting or varied content. So I cheated slightly, and completed my hourlies on the Saturday beforehand.

As with every year, it was slightly stressful and time-consuming, and I ended up feeling a bit unhappy about sharing rough work. But also as with every year, I believe that the narrative supersedes the quality of the drawing in the end.

Anyway, awkward preamble over, here’s my Hourly Comic Day. Click any of the images to see them at a larger size.

If I have time, I hope to do my usual round-up post of other people’s too, but it might not be as quick off the mark as it usually is.

Myfanwy Tristram Hourly Comic Day 2017 www.myfanwytristram.com

Myfanwy Tristram Hourly Comic Day 2017 www.myfanwytristram.com

Myfanwy Tristram Hourly Comic Day 2017 www.myfanwytristram.com

Myfanwy Tristram Hourly Comic Day 2017 www.myfanwytristram.com

Myfanwy Tristram Hourly Comic Day 2017 www.myfanwytristram.com

Myfanwy Tristram Hourly Comic Day 2017 www.myfanwytristram.com

Myfanwy Tristram Hourly Comic Day 2017 www.myfanwytristram.com

Myfanwy Tristram Hourly Comic Day 2017 www.myfanwytristram.com

Myfanwy Tristram Hourly Comic Day 2017 www.myfanwytristram.com

Myfanwy Tristram Hourly Comic Day 2017 www.myfanwytristram.com

Myfanwy Tristram Hourly Comic Day 2017 www.myfanwytristram.com

Myfanwy Tristram Hourly Comic Day 2017 www.myfanwytristram.com

Myfanwy Tristram Hourly Comic Day 2017 www.myfanwytristram.com

Myfanwy Tristram Hourly Comic Day 2017 www.myfanwytristram.com

Myfanwy Tristram Hourly Comic Day 2017 www.myfanwytristram.com

Myfanwy Tristram Hourly Comic Day 2017 www.myfanwytristram.com

Myfanwy Tristram Hourly Comic Day 2017 www.myfanwytristram.com

Myfanwy Tristram Hourly Comic Day 2017 www.myfanwytristram.com

Myfanwy Tristram Hourly Comic Day 2017 www.myfanwytristram.com

Myfanwy Tristram Hourly Comic Day 2017 www.myfanwytristram.com

Myfanwy Tristram Hourly Comic Day 2017 www.myfanwytristram.com

Myfanwy Tristram Hourly Comic Day 2017 www.myfanwytristram.com

Myfanwy Tristram Hourly Comic Day 2017 www.myfanwytristram.com

Myfanwy Tristram Hourly Comic Day 2017 www.myfanwytristram.com

Myfanwy Tristram Hourly Comic Day 2017 www.myfanwytristram.com

Myfanwy Tristram Hourly Comic Day 2017 www.myfanwytristram.com

It’s really really soon now, you guys

Woah, those Finns are arriving pretty soon!

In case you’re not sure what I’m talking about, you might like to catch up on the history of my madcap idea to bring two complete strangers over to the UK to sleep on my sofa and talk about comics — hopefully to an audience, which is of course where you come in.

You can see Siiri Viljakka and Lauri Tuomi-Nikula speaking at four events in Brighton, London and Hastings, next week.

I’m pretty sure these are going to be the best Finnish-comic-and-FOI-related events ever held in the UK (and possibly the only ones) so I’d advise you to grab a ticket while you can.

The Myfanwy Tristram shop is updated

yay comics postcard by Myfanwy Tristram

I’ve just added new postcard designs and stickers to my online shop — the ones that have previously only been available at comics fairs.

Now’s your chance to send someone a hearty “Yay! Comics” message, or slap a “Comics totally count as reading” sticker on your laptop, so everyone knows exactly where you stand on that issue.

myf stikers
Stickkkkerrrrs!

Other designs include the girl-positive Girls Rock and Girls Rule images, taken from my comic ‘Everything My 10-year-old daughter wore in November” — which you can buy too. Go on, treat yourself!

girls rule postcard by Myfanwy Tristramgirls rock postcard by Myfanwy Tristram

Return to the low-tech zine

colouring book cover by Myfanwy Tristram

make a zine

Above is a picture of a print that my husband picked up at Comica London. Sadly, my pedantic side will not allow me to hang it above my desk until I’ve added that missing apostrophe, but the message is a good one nonetheless.

As it happens, in the week running up to Comica I was already rediscovering the joy of self-made comics, unprompted.

It is a lot of fun to have your comics made by a proper printer, and have them arrive with their lovely silky covers and their professional binding, that’s for sure. But it can be expensive too, and I wanted to have something on our stall that customers could pay a little less for.

And so the Slightly Annoying Animals colouring book was born. Quite what possessed me to go into production the week before Comica, while also trying to hold down a full time job and all the other aspects of a busy life, I’m not sure, but never mind: I did.

Don’t leave the house

I work from home during the week, so couldn’t easily go out to buy new materials. So I decided to see if I could make something with only what I already had at home.

When I looked into my stock of paper, it was clear that – even for a print run of just ten copies – I would need to mix and match. As I pulled out tracing paper and sugar paper, along with nice thick watercolour paper, I realised that this could be a deliberate design feature, adding to the book’s quirkiness.

Fortunately, the inks in my printer were pretty full (such is my faith in printer inks that I am always surprised when they manage to print a single page, let alone a project like this). I quickly drew several animals, not thinking too hard about the theme nor stressing too much about making them my best drawings ever. After scanning these in, I chose a limited colour palette that I hope is reminiscent of the so-trendy-right-now riso printer, and changed the line colours.

Then I made a small dummy book so that I could remember which pages backed onto which others. That, and a label I stuck to my printer many moons ago, to remind me which side of the paper it prints on and which way up is the top, were my saving graces.

To the joy of my inexplicably printer-obsessed cats (seriously – the three of them came into the room at a trot), I switched the printer on and then fed the pages through mostly singly, by hand, to ensure there were no snarl-ups.

colouring book by Myfanwy Tristram

Then the next night, I bound them. The household machines were still clearly on my side, because when I got my sewing machine out, absolutely certain that last time I’d tried to use it, it had been irrevocably jammed, it was working like a song. That meant I could do some really quick and really rather pleasing stitched spines, and while I was at it, I sewed a silly little label on the back, too:

silly label by Myfanwy Tristram

Overheads were so low on this that I was able to sell them for just £3 at Comica: well within pocket money budgets, I reckon. Most of the paper had been sitting unused in my drawer for years, so the price really just reflected the time spent drawing, scanning, and worrying.

OK: so you always learn from making anything, even if you’ve done it before. What did I learn this time?

  • I have to admit it – tracing paper is a fun material but it’s not really great for comics because (obviously) the picture on the next page shows through. Perhaps this could work if the subsequent pages were mainly blank, with an invitation to draw something for yourself.
  • Having said that, I think the mixture of different kinds of paper is really appealing and if I was going to do this again, I’d go and invest in some squared paper or something else with an interesting texture or pattern.
  • The pictures weren’t my greatest works of art. I’m not the sort of artist who does her best work within a tight timescale (unfortunately. I’m working on it) and in fact the whole concept could have been refined. I like the idea of ‘slightly annoying animals’; with a bit more time I reckon I could have worked up their personalities into something that would amuse adults while their kids enjoyed the colouring bit.
  • So maybe I’ll do that one day.
  • But the main thing that I learned was that, for low runs of cheap comics, it’s still totally practical to do it yourself at home. I mean, when you think about it, of course it is: the whole zine culture grew up before people had computers and printers at home, with copies made at print shops or on photocopy machines, so it’s a lot easier now.

So, here’s a pen and some paper and a typewriter scanner, printer, and sewing machine. Now what are you waiting for?

Come to Comica

Comics best thing ever Sticker by Myf Tristram

Don’t forget that it’s London’s comics festival, Comica, on Saturday.

I’ll be at the Comiket Market with my pal Zara, selling our comics:

  • Two Birds, our joint compendium
  • Everything My Ten-Year-old Daughter Wore in November, my collection of daily clothes drawings
  • If you are quick (I don’t have many left), Salon of Rejects, the anthology of non-winning Cape/Comica/Observer strips
  • Zara has a fantastic new comic out, Don’t Call Me A Tomboy
  • We’ll also have postcards and stickers, yay! Some of these are brand new designs, which I haven’t even put in my shop yet (and some are reprints of previous designs). I will add them to my shop, but probably not until after Comica.

Stickers

(available as a pack of 3):

comics literally the best sticker by Myf TristramComics best thing ever Sticker by Myf Tristramcomics totes count sticker by Myf Tristram

Postcards

yay comics postcard by Myfanwy Tristram

swimmers postcard by Myfanwy Tristram

girls rock postcard by Myfanwy Tristram

girls rule postcard by Myfanwy Tristram

booner postcard by myfanwy tristram

tins postcard by myfanwy tristram

iggy postcard by myfanwy tristram

muesli mountain postcard by Myfanwy Tristram

Hope to see you there. Swing by for a chat, even if you don’t buy anything: we’ll still be happy to meet you. :D

(But if you do want to buy, remember to bring plenty of cash: most sellers, including us, won’t have card payment facilities).

Rooooooadtriiiiip! (Or, where you can buy our comics this year)

A few months ago, my compadre in comics Zara Slattery suggested to me that we apply for a stall at a comic festival or two.

“Hm”, I said, “Maybe we should start off with something local and low-risk.” Seemed to make perfect sense for two creators just dipping their toes into the world of self-published comics.

So I’m not quite sure how we’ve ended up with a schedule that takes in FOUR festivals, from our hometown in Brighton (safe, sensible) to the far away Lake District (reckless, budget-blitzing).

The good news for YOU is that there are four opportunities to buy our comics in person, to get them signed, or just to hang out and have a wee chat.  And the good news for Zara and I is that we get to put our friendship to the test by sharing transport, accommodation, and festival tables for several days.  Ehh, I’m sure we’ll be fine.

So, come and see us at…

Comica, London

14 May

House of Illustration, Granary Square, near King’s Cross station

ComicaComica coincides with the penultimate day of the Comix Creatrix exhibition showcasing 100 great female comic artists, so there’s potential for a really excellent day out.

Central to the Comica festival is the Comiket, a market of delicious coooomiiiics. Bring lots of cash and a big bag to put your treasures in – not least, Two Birds, the Salon of Rejects and my Clovember comic.

Brighton Illustration Fair

29 May

One Church, Gloucester Place

Brighton Illustrators' fairWell, actually, only Zara will be at the Brighton Illustration Fair, because I foolishly booked our family holiday before the dates were announced.

She’ll be selling Two Birds, her own work (and, if I manage to impose on her good nature) Salon of Rejects and my Clovember comic.

She’s there for the Sunday only — however, BiF is such a good event (and this year features amazing guests like Luke Pearson of Hilda fame) that I highly recommend getting the two-day ticket.

The Lakes International Comic Art Festival

14-16 October

Kendal, Cumbria

lakes festivalWe’ve watched with envy in previous years, as all our Twitter comics heroes take the long road to the Lakes — well, now it’s our turn to join them.

This is Zara’s home turf as well, so expect her to slip seamlessly into the local accent, while I run around cooing at the beauty of our surroundings.

Thought Bubble

5-6 November

Leeds

Thought Bubble

Last year I hoofed it up to Thought Bubble at short notice, because I’d been lucky enough to win a prize in the comic art competition. This year, my winning strip will be in the official festival anthology, so you might like to get your mitts on one of those, as well as swinging by our stall to buy all our other comics.. and see how Zara and I are holding up, friendship-wise.

Or get in early

That’s it! Busy schedule! Hope to see you at one or more of these events… and if you want to make sure you get one of our comics before we sell out, remember you can buy them online here.

I am actually looking at them now and wondering, in the light of all the above, whether we should have done bigger print runs…

 

Everything My Daughter Wore in November: now for sale as a comic

Drawing all my daughter’s clothes last November is one of my favourite recent projects, so I was keen to get it printed up into a comic for people to buy.

They arrived today! These are a lot smaller than the other comics I’ve recently been involved in (Two Birds and Salon of Rejects), because I wanted them to be the same size as the original sketch book that I drew them in. The result is a comic that’s small and sweet. You can buy one here.

At the moment you’ll get a pound off when you buy more than one comic in my online shop.

IMG_7562

Clovember by Myfanwy Tristram

IMG_7565

IMG_7563

 

I know I’ve been printing up a lot of comics lately – blame Comic Printing UK for making it so easy – and also the fact that I’ll be doing a few comics fairs this year, and need stock to sell.

As hobbies go, it’s an expensive one, though, so thank you for your support when you buy them!

What I said at Gosh Comics

The launch for Salon of Rejects last night was really fun. Thanks so much to Gosh Comics for hosting it, and for all the people that came out on a chilly Wednesday night. Since the pessimist in me was expecting an audience of two people and a pet dog, I was really delighted to see that it was standing room only (I expect the people standing up weren’t quite as delighted).

Here are the slides I presented, if you’re interested to see them. They don’t make much sense without the words to accompany them, though, so you can see those here.

Thank you very much to Tom Plant for putting the comic together, to Michael Lomon for organising the event, and to my co-speaker Sarah Ushurhe. You can buy a copy of Salon of Rejects at Gosh Comics or online here.

The night was part of the Process series, a monthly event where artists talk about how they make comics.

It was rather nice to realise that the Salon of Rejects project initially came about because of my habit of collecting together people’s entries to the Cape/Comica/Observer graphic short story contest: a really good result.

 

Two Birds released; plus, Salon of Rejects event

It’s been months in the planning, but Two Birds is now a reality, and you can buy it online here.

A 40-page collaboration between me and Zara Slattery, Two Birds contains 15 full-colour strips.

If you enjoy the work I publish here on this blog, here’s your chance to own it for yourself – nicely collected together in print form (and here’s a shout-out for Comic Printing UK, who brought this glossy booklet into the world).

Zara’s work shares many of my own sensibilities but reflects her own beautiful, lyrical style. We think our strips go together rather nicely.

And why ‘Two Birds’ for a title? Because that’s what we are. Two chirpy birds.

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CeTm702XIAAePPK

Salon of Rejects event

Also – don’t forget that I’ll be at Gosh Comics in London this Wednesday night, along with three other creators who contributed to the Salon of Rejects comic.

I’ve put together a really fun talk and overall I think it’s going to be an interesting event – consider yourself invited!

Salon of Rejects comic

Salon of Rejects: grab your copy now

Salon of Rejects comic

Ooh look, what have we here? A lovely, shiny high-quality comic with one of my strips in it, that’s what.

It’s a sumptuous, perfect bound 28-page comic featuring cartoons by six creators, including me.

Buy it here!

Why ‘Salon of Rejects’? Because these are all entries to the prestigious Cape/Comica/Observer Graphic Short Story contest that didn’t scoop that top prize.

Or.. er, any prize.

But we still think they’re pretty fab. So, like the artists rejected from the Paris Salon, we’ve cocked a snook at the establishment and set up our own display. And now it can be yours!

In this volume you’ll find four-page cartoons by:

Huge thanks to Tom Plant, whose idea it was, and who did all the donkey work in getting it printed (via the ace Comic Printing UK, who are patient and helpful and recommended).

So, buy it online now. I also hope to be selling it – and the project I’m currently working on with my mate and AMAZING illustrator Zara Slattery – at a couple of comic fairs this year.

Nice timing, Comix Creatrix

(Image by the House of Illustration)

I know it’s already been said by everyone, but the opening of the Comix Creatrix exhibition, featuring cartoons by 100 women, could hardly have been better timed, given the controversial (and plain wrong) statement from Franck Bondoux, executive officer of the Angouleme International Comics Festival:

“Unfortunately, there are few women in the history of comics”

To which, you can either stare open-mouthed, or you can point to some robust evidence. Like, hmm, I don’t know, let me see, an exhibition which highlights the work of one hundred talented female cartoonists (past and present) in one big, stunning bundle.

Obviously, this exhibition has been some time in the making, so it’s not a deliberate riposte, but it is a delicious one.

Has anyone invited Franck over to take a look? That’d be a great GoFundMe, wouldn’t it?

Comics Creatrix poster by Laura Callaghan
Comics Creatrix poster by Laura Callaghan

I managed to visit yesterday, on the first day of the exhibition, and enjoyed a good long couple of hours poring over every exhibit.

It’s a very encouraging exhibition for any comics artist, because it presents such a massive diversity of styles, materials and subject matter. Clearly, there’s no ‘wrong’.

It was also fascinating to see what a variety of size paper people use for their originals, from tiny sketchbook pages to vast A1 sheets. And it’s particularly reassuring to see the amount of tippex and paper cover-ups some of the artists use if they are unsatisfied with their original work:

Cluster Bombs by Leila Abdelrazaq
Cluster Bombs by Leila Abdelrazaq

Apologies for the not very high-quality phone snaps: here are some other pieces of work I enjoyed, in no particular order:

Fay Dalton Reaper Files: Buddy Holiday
Fay Dalton’s Reaper Files: Buddy Holiday

 

Barbara Yelin: Irmina
Barbara Yelin: Irmina

 

From Girl In Dior by Annie Goetzinger
From Girl In Dior by Annie Goetzinger
Frame from Returning Home by Cat O'Neil
From Returning Home by Cat O’Neil

There were many, many more I could have highlighted, including some old favourites that took me right back to my earliest interest in zines and comics.

My only criticism is that there’s no (physical) catalogue. There’s an app, for which you need to have an iPad, but boy, I would have loved to buy a big volume and see all these strips reproduced to examine again at my leisure.