2017 – a year in drawing

Myfanwy Tristram cards

No matter how much time and energy I put in, I never feel like I’m doing quite enough drawing, so it’s always good to look back over the year and realise quite how much paper (and pixels) I’ve stacked up! Here’s a quick run-through of how 2017 looked.

February

On the 1st, I took the Hourly Comic Day challenge, where you draw one frame for every hour you are awake.

Inevitably, my piece reflected some of the day’s political events:

Myfanwy Tristram Hourly Comic Day 2017 www.myfanwytristram.com

I’ve definitely got the Hourly Comic Day bug now, and I hope to participate again on Feb 1st next year.

Draw The Line logo by Karrie Fransman

On the 21st, having been beavering away since October 2016, we launched the Draw The Line project website.

This is the biggest comics project I’ve ever attempted: it brought together 114 artists from many different countries, each depicting a positive political action that anyone can take.

I’m still hoping to put out the print version of Draw The Line, and in the new year I’ll be looking at ways to make that happen.

April

Draw The Line safely launched, I spent the next few months finishing my comic Ladies of the Lakes. Follow that link to read it all online in installments.

Ladies of the Lakes by Myfanwy Tristram

I also had it printed up so I could sell it at various festivals and stalls over the year – as you might expect, the Lakes Festival was where demand was highest.

Julie Gough’s Illustrated Women in History project mounted an exhibition and I contributed a small image of the Boston marathon runner Kathrine Switzer.

Kathrine Switzer by Myfanwy Tristram banner

May

The Inking Woman exhibition opened in London’s Cartoon museum, and I was honoured to have a piece included in it. This coming March, an accompanying book will be published.

I was away so I couldn’t make the opening night, but here’s a picture from Myriad publishing’s Corinne, featuring many of the exhibitors (click to see it at a larger size):

and here’s a bit of my exhibited image from when it was still in progress:

go cross country by Myfanwy Tristram

April

This is the month when I shared some life drawing I’d done in pastels. I’ve been going along to life drawing sessions most weeks though, so there are plenty more where that came from. Here are a few (click to see them larger):

life drawing by Myfanwy Tristram

Some weeks I still come away with some awful drawings (and my attempts at the quick 3 or 5 minute poses seem to be getting worse and worse) but on the whole I do feel like I’m making progress.

August

I entered a strip into SelfMadeHero’s Jeremy Corbyn comic. Sadly it wasn’t selected for publication but at least I had fun drawing cat of the moment, El Gato.

Corbyn and el Gato header by Myfanwy Tristram

September

I designed some nice postcards to sell alongside my comics at festivals. I still need to sort out a shop so I can sell these online too! Click to see them bigger.

Myfanwy Tristram cards

October

My love/hate affair with the Comic/Cape/Observer Graphic Short Story contest continues and this year I once again submitted a strip. Needless to say it didn’t elicit even a quiver of notice! As usual, I did my round-up of other unsuccessful (and successful) entries once the shortlist had been announced.

I also spent every day of October doing an ink drawing in the name of Inktober, something I enjoyed (mostly, though it was occasionally a bit of a squeeze finding the time every day) and which I think taught me quite a bit about composition. That was my vague aim so I’ll count that as a win.

November

‘Only’ seven months after returning from a trip to Florence, I finished the sketch diary I’d been drawing. I also sadly concluded that I probably won’t do any more of these in the near future – they just take up way too much time and the result, while very nice to have, doesn’t really help to further my work.

Florence sketch diary by Myfanwy Tristram

This month I also spoke at the Graphic Brighton / Caption event. My topic was Draw The Line and specifically how to organise a large comics project from a distance. I’d like to do more talks like this so I’ll be actively pursuing a few opportunities next year.

herding cats banner image by Myfanwy Tristram

December

Recent readers will recall that I made, and blogged, a four-colour linocut Christmas card. Despite a few hairy moments (literally in some cases, when the cats wandered past still-drying ink) I enjoyed this and would love to have time to get better at working with this medium.

Lino cuts by Myfanwy Tristram

I received the very welcome news that Draw The Line had been nominated for a Broken Frontier award. The results will be revealed in January.

And in my last drawing task of the year, I made a party invitation for my daughter:

It’s been a great year, and one aspect which perhaps isn’t reflected in this account of solitary work sitting at my desk, is how sociable and supportive comics people are. It’s been a pleasure to meet and chat with so many of them this year.

Deserving a special mention are Zara Slattery, who has been my accomplice at pretty much every comics event I’ve attended (not to mention all the lifts home from life-drawing classes!), and Simon Russell, who was on a one-man mission to make small press comic-selling more viable with his pop-up stalls.

And now… forward into 2019! Hope it’s a goodie.

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Trampoline party invitation design

The self-imposed drawing tasks come thick and fast for me at this time of year. No sooner have I sent out my Christmas cards than it’s a race to draw my daughter’s birthday invitations in time for her to hand them out at school before term ends.

This year she’s having a party at the local trampolining centre, and here’s what I came up with:

trampoline party invitation by Myfanwy Tristram

I’ve left it blank, so feel free to print it out and use it if you are having your own trampoline party! All I ask is that you keep the web address on the side there, so people know where the pictures came from.

For my own invitations, I added text between the figures with all the details of where and when the party was, etc, and there are faint guidelines so you can fold it into three. It then fits into a nice standard-sized envelope.

And now, some process pics.

Sketches:

by Myfanwy Tristramby Myfanwy Tristram

I inked over these with a lightbox and coloured them in digitally.

Then went to print them out. Oops, I guess my printer is low on yellow ink:

[Inserts yellow ink] Oops, I guess my printer is low on magenta:

[sends husband to buy ink]

Phew, finally. And here they are all printed out:

(I’ve removed some of the text just in case of random internet malefactors!)

Florence sketch diary: last day in Florence, and thoughts about sketch diaries

Florence sketch diary by Myfanwy Tristram

This is the last part of the series. If you want to start from the beginning, page 1 is here.

Florence sketch diary by Myfanwy Tristram

Florence sketch diary by Myfanwy Tristram

Florence sketch diary by Myfanwy Tristram

Florence sketch diary by Myfanwy Tristram

That’s it! I hope you enjoyed accompanying me on my trip to Florence.

I’m pretty sure it’s going to be my last sketch diary for a while. While I love to make them, and am pleased to have them as mementoes of our family holidays, as my ambitions grow in terms of how much detail I want to include, so they take more and more time.

I’m still only able to dedicate around 90 minutes a day to artwork, on top of the dayjob, household duties, etc. This Diary took six months (pretty much – the time was interrupted by a couple of other deadlined comic projects which I recorded here) to draw, followed by a further month or more cleaning it up, and there’s still tons I’d redraw or tidy if it was headed for publication anywhere more formal than my own blog. That doesn’t leave much time in a year for any other kind of work. I’ve even been on another three trips since Florence (including an eminently diarisable and puffin-heavy trip to Berwick and surrounds) which I can’t record with this amount of detail. And that’s what I’d want to do. One solution would be to pull out small strands or record less, I suppose, but I don’t feel massively inclined to do that.

So unless someone can find a way to conjure up more hours in every day, that’s it for this particular artform, for now at least. Hopefully that will mean more smaller projects and in turn that will mean more frequent updates on this blog, so it’s not all bad!

Florence sketch diary, day 7: you will not believe what we can do with balloons

Florence sketch diary by Myfanwy Tristram

Here’s day 7 of our trip. If you want to start from the beginning, page 1 is here.

Florence sketch diary by Myfanwy Tristram

Florence sketch diary by Myfanwy Tristram

Florence sketch diary by Myfanwy Tristram

Florence sketch diary by Myfanwy Tristram

Florence sketch diary by Myfanwy Tristram

Come back tomorrow when the conference begins.

Florence sketch diary, day 6: switching to work mode

Florence sketch diary by Myfanwy Tristram

Here’s day 6 of our trip. If you want to start from the beginning, page 1 is here.

Florence sketch diary by Myfanwy TristramFlorence sketch diary by Myfanwy Tristram(Apologies for the wavy text, here and elsewhere: it’s because these pages are photographed rather than scanned, and not always perfectly flat)

Florence sketch diary by Myfanwy Tristram(The usual apologies to my colleagues – and any other *real people* I might represent — for my failed attempts at capturing a likeness)

Florence sketch diary by Myfanwy TristramCome back tomorrow for a big surprise at the conference venue!

Florence sketch diary, day 5: the holy grail

alt="Florence sketch diary by Myfanwy Tristram"

Here’s day 5 of our trip. If you want to start from the beginning, page 1 is here.

Florence sketch diary by Myfanwy Tristram

Florence sketch diary by Myfanwy Tristram

Florence sketch diary by Myfanwy Tristram

Florence sketch diary by Myfanwy Tristram

Read on to Day 6, when I switch over into ‘work trip’ mode.

Florence sketch diary, day 4: deluxe cakes, gardens and posh frocks

Here’s day 4 of our trip. If you want to start from the beginning, page 1 is here.

Florence sketch diary by Myfanwy Tristram

Florence sketch diary by Myfanwy Tristram

Florence sketch diary by Myfanwy Tristram

Read the next entry for a big discovery, plus the only cat in Florence.

Florence sketch diary, part 1: the one-trouser strategy

Florence banner by Myf Tristram

In April 2016, I took a trip to Florence, Italy. This is my sketch diary. I hope you enjoy it.

Intro page. In case you don’t recognise it(!), the dark lumpy thing that one of the cherubs is holding is supposed to be a truffle.

Florence diary by Myfanwy Tristram

Joe’s concern is very British:

Florence diary by Myfanwy Tristram

Florence sketch diary by Myfanwy tristram

Florence sketch diary by Myfanwy Tristram

Florence diary by Myfanwy Tristram

Florence diary by Myfanwy Tristram

Now read part 2: a sweary neighbour and some desirable stationery.

A completed Inktober

Who remembers Clovember, in which the idea was to draw your clothes every day through the month of November?

Well, perhaps I’m a sucker for these portmanteau-titled month-long challenges, because along came Inktober (draw something in ink daily for 31 days) and I did my usual thing (“No promises; I might just do one or two”), before immediately feeling that I had no other choice but to complete the challenge.

Oct 28: Hundreds of migrants are stranded in Budapest after police stop trains leaving for Austria and Germany in a bid to prevent them from travelling onwards.

You can choose to work from a list of daily prompts, but I made a swift and unconsidered decision to base my images on photographs from the news. My motivation was twofold:
– News photographs often contain people in dramatic but unposed compositions, which hopefully would teach me new angles and ways in which humans intersect, to carry through to my work in comics;
– We see so many images online every day; by drawing them, I wouldn’t be able to just scroll by and hardly understand what I was seeing. Instead, I’d be thinking about each person as I drew them.

Oct 30: French president Emmanuel Macron plays it cool when catching a whiff of marijuana during a visit to French Guiana, warning youngsters that it won’t help with their schoolwork.

The kind of pictures I chose


As always with this kind of project, it took a few days for me to settle in and understand exactly what I was doing. After a week or so, I began to know exactly what sort of photographs I was scouting for (a process that often took as long as the actual drawing). Elements that attracted me were:
– Crowds of people, often swarming around a central point: an interviewee surrounded by journalists with recording devices; a protester being manhandled by multiple police officers; a speaker being harangued by opponents;

Oct 23: Demonstrators on both sides demonstrate outside a university where white supremacist Richard Spencer was speaking.

– Compositions where one or more people were in the foreground with others in the background, ie differences of scale;
Oct 19: An outbreak of plague has killed 74 people in Madagascar.

– Complicated scenes where it is hard to tell which body part belongs to whom
Oct 6: Syrian Democratic Forces help a shell-shocked comrade to his feet.

– Interesting clothes, faces, poses and expressions.
Oct 14: High court judges take a selfie at the valediction ceremony for Mr Justice Bodey.

How I worked

The only Inktober rule is that you use ink. In most cases, I went straight to pen without any pencil drawing first, although there are a few exceptions to this, especially early in the month.

Drawings took between 20 minutes and an hour. I managed a daily drawing despite being ill for two of the days, home late on one of them (resulting in a late-night drawing) and away with work and comics stuff for another four.

Oct 3: People filling containers with water in an area hit by the hurricane in Puerto Rico

What I learned


– This sort of project always requires you to set aside concerns about sharing work that isn’t perfect or as good as you’d like (unless you have all day to redraw the images that don’t come out as you’d like);
– But equally, in the doing, sometimes images emerge that really surprise you, drawn in a way you probably wouldn’t otherwise have arrived at;
– By sharing them on Instagram or Twitter, you get immediate feedback in the form of a ‘like’ count, and the ones which followers like are not always the same as the ones you like yourself;
– Drawing hands will never be easy.

Oct 22: Pole dancing could become an Olympic event. A member of the Chinese national pole dancing team practices.

Next time


I really hope I can immediately apply some of the experience from this Inktober to my drawings. And next time, I’d like to choose a theme that encouraged me to loosen up rather than to lean towards my natural tendency of tight detail like this. So, perhaps something more imaginary and fanciful. Can someone remind me of that on Sept 30 2018, please?

Here are all the month’s pictures arranged chronologically in a gallery: you can click on one and then you’ll be able to click through them all at full size.

Inspiration: Paula Rego

Paula Rego: secrets and stories

I’ve always counted Paula Rego among my favourite artists, but before I watched this documentary (Paula Rego: Secrets and Stories) I didn’t know the half of her life story, and how it has fed into her pictures. Having now sat down and watched in riveted attention twice over, I’m finding her work all the more resonant.

One thing to take away from this film is the fact that she’s clearly worked away at her drawing every single day for years, driven — to the detriment of her maternal duties, as she freely admits! I’m always captivated (and slightly jealous) of those who have followed the life of an artist to the exclusion of all else, although beguiling as it is to see her many-coloured pastels and huge artist’s studio, there’s nothing to envy in the life story that unfolds. She endured poverty, a difficult marriage, multiple abortions, and the terminal illness of her husband before becoming the celebrated artist of today.

Art aside, it’s amazing to see a life that was captured so thoroughly in home movies and photographs. Rego was a stunning younger woman: you get to see her from childhood through to the older lady she is now.

Unfortunately, I think you can only watch if you’re in the UK, and it’s only up on the BBC site until 23 April*; however, it has all the signs of a film that will also be travelling to arthouse cinemas and festivals, so keep an eye out if you can.

Now perhaps it’s rather crass to take such inspiration and turn it into something consumerist, but one side effect of having seen the art-materials pornography of those vibrant sticks in close-up as they press and crumble against the sugar paper, was that I went and bought a nice new set of pastels. To be fair to myself, I had also been a very brave person and endured root canal surgery that day, so I was due some kind of treat.

I took my pastels to my regular life-drawing slot this week and really enjoyed the ease of use – I’ve been having a hard time recently, struggling a bit with watercolour and pencil crayon, so it was nice to work at a larger scale and more freely. I’m no Paula Rego, but, hey, I can smoosh pastels onto paper with the best of them.

The model was Frankie, whose hair is a wonder to behold: it really is that long, and she goes by the name of Floor-length Frankie.

*If I have counted properly, but the BBC tell you what date it went up and how many days it’ll be available, and I’m not sure how they calculate the start day. Do just hurry, as I’d hate for you to miss it by one day just because of my poor understanding of calendars.

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Illustrated Women In History exhibition

Kathrine Switzer by Myfanwy Tristram banner

I’m really pleased to say that I have a small illustration in the Illustrated Women in History exhibition and the accompanying zine.

The exhibition is up in Swindon Central Library now, and runs until the end of April. You can buy the zine here.

Its maker, Julie Gough, has for some time now been doing a great job of collecting pictures and short biographies of women from a variety of artists — this is the third issue of Illustrated Women in History. She herself is on a mission to draw a woman a week: the project was prompted by the scandalous story of a London museum which gained planning permission on the grounds that it would celebrate the lives of women. When it opened, it had somehow transformed into a Jack the Ripper ‘attraction’.

Julie’s exhibition and zine profile women as diverse as Tove Jansson, Banana Yoshimoto, Boudicca and Grace Jones. For my own submission, I chose to draw Kathrine Switzer, the first woman to officially run the Boston Marathon. I could identify with her a little, as I enjoy running myself — albeit on a much less ambitious scale — and I found her story interesting (and, it should be noted, not entirely without controversy).

In reading up on Switzer, I discovered that running, like so many other areas of life (and even those which seem so obviously gender neutral in the present day), was once a far more male-dominated pursuit. Suffice to say that the sports bra wasn’t even invented until 1975.

This is my illustration (along with genuine quotes from other runners, journalists and race officials of the time); it takes some liberties with colour and clothing, as I wanted her to stand out. It was in fact raining on the day, and in Switzer’s own account she notes that she was annoyed at having to wear a grey full-length sweat suit, the only weatherproof running gear available in those days. Again, rather different to today’s picture when the sports shops are bursting with lycra running gear with a different colour for each season.

If you’d like to see the accompanying biography, and many more pictures of interesting women by lots of talented artists, you’ll have to swing by Swindon library, or grab a copy of the zine for yourself. Thanks to Julie for bringing so many women, some obscure and forgotten, back to light.

Kathrine Switzer by Myfanwy Tristram

My #HourlyComicDay 2017 in full

Myfanwy Tristram Hourly Comic Day 2017 www.myfanwytristram.com

I’ve been absolutely up to my neck in the Draw The Line project (comic artists drawing positive political actions that anyone can take), but when Hourly Comic Day rolled around, I couldn’t bear the thought of not taking part.

I’ve participated for the past three years, and the concept chimes very well with my tendency towards diary-based comics. This year though, I’d be in Leeds with work, for an all-day meeting that would neither allow for the luxury of regular drawings and uploads, nor provide very interesting or varied content. So I cheated slightly, and completed my hourlies on the Saturday beforehand.

As with every year, it was slightly stressful and time-consuming, and I ended up feeling a bit unhappy about sharing rough work. But also as with every year, I believe that the narrative supersedes the quality of the drawing in the end.

Anyway, awkward preamble over, here’s my Hourly Comic Day. Click any of the images to see them at a larger size.

If I have time, I hope to do my usual round-up post of other people’s too, but it might not be as quick off the mark as it usually is.

Myfanwy Tristram Hourly Comic Day 2017 www.myfanwytristram.com

Myfanwy Tristram Hourly Comic Day 2017 www.myfanwytristram.com

Myfanwy Tristram Hourly Comic Day 2017 www.myfanwytristram.com

Myfanwy Tristram Hourly Comic Day 2017 www.myfanwytristram.com

Myfanwy Tristram Hourly Comic Day 2017 www.myfanwytristram.com

Myfanwy Tristram Hourly Comic Day 2017 www.myfanwytristram.com

Myfanwy Tristram Hourly Comic Day 2017 www.myfanwytristram.com

Myfanwy Tristram Hourly Comic Day 2017 www.myfanwytristram.com

Myfanwy Tristram Hourly Comic Day 2017 www.myfanwytristram.com

Myfanwy Tristram Hourly Comic Day 2017 www.myfanwytristram.com

Myfanwy Tristram Hourly Comic Day 2017 www.myfanwytristram.com

Myfanwy Tristram Hourly Comic Day 2017 www.myfanwytristram.com

Myfanwy Tristram Hourly Comic Day 2017 www.myfanwytristram.com

Myfanwy Tristram Hourly Comic Day 2017 www.myfanwytristram.com

Myfanwy Tristram Hourly Comic Day 2017 www.myfanwytristram.com

Myfanwy Tristram Hourly Comic Day 2017 www.myfanwytristram.com

Myfanwy Tristram Hourly Comic Day 2017 www.myfanwytristram.com

Myfanwy Tristram Hourly Comic Day 2017 www.myfanwytristram.com

Myfanwy Tristram Hourly Comic Day 2017 www.myfanwytristram.com

Myfanwy Tristram Hourly Comic Day 2017 www.myfanwytristram.com

Myfanwy Tristram Hourly Comic Day 2017 www.myfanwytristram.com

Myfanwy Tristram Hourly Comic Day 2017 www.myfanwytristram.com

Myfanwy Tristram Hourly Comic Day 2017 www.myfanwytristram.com

Myfanwy Tristram Hourly Comic Day 2017 www.myfanwytristram.com

Myfanwy Tristram Hourly Comic Day 2017 www.myfanwytristram.com

Myfanwy Tristram Hourly Comic Day 2017 www.myfanwytristram.com

Sketches from Kendal

Our trip to the Lakes Festival was so eventful that I plan to make a comic about it — that’s always supposing life quietens down enough to allow for a bit of drawing soon.

Meanwhile, here are a few sketches I did from behind our table. Click any of them to see at a larger size.

ears-that-move-sm

If you’re drawing directly from life, you end up with a lot of views of people’s backs, which isn’t the most compelling subject. That’s because the ones who have their faces towards you are probably also talking and/or buying stuff.

early-customers by Myfanwy Tristram

These were the very first three people to come to our stall. No-one sticks around long, and I soon remembered how much more comfortable I am working from a photo — so a quick snap on the phone it was.

great-hair-sm

Zara and I both drew these ladies, having been struck by their super hair – here’s Zara’s version.

could-not-wait-sm

On the way to the loo, I spied these young adults in a shaft of sunlight: clearly they couldn’t wait until they got home to start digging into their new comics.

balloon-boy-sm

And finally, I drew this child and woman from a photo, while traveling home from Kendal. Not bad, if I do say so myself, on very little sleep and a bumpy train table! I don’t know if the two subjects were related to one another, nor whether the woman’s slightly disapproving look was directed at me for pointing my phone towards her, but I do like the resulting picture.

 

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See you at the Lakes – & I’ll have a new comic with me

featured-image-by-myfanwy-tristram

It’s not long now until my compadre in comics, Zara Slattery, and I hop onto a train to make the long journey to the Lakes International Comics Art Festival. If you’re in the area, I hope you’ll come and see us.

lakes-map

Here’s a map of the Clocktower building (click to see bigger) — we’ll be on the ground floor, not far from the entrance. And here’s a very large photo of my face so that you can recognise me.

I’ll be selling comics I’ve mentioned on here before: Two Birds, Everything My 10-year-Old Daughter Wore In November, and Salon of Rejects, plus postcards and stickers. All being well, I’ll also have Hello World, a brand new comic about Instagram.

If you follow me on Instagram itself, you’ll have seen some of the drawing process and, far more challenging, the cutting, sticking, unsticking and resticking that ensued when it dawned on me that a comic about Instagram could only really have one format: it needed to be a vertical scroll. Cue lots of rough print-outs and mock copies in various configurations.

hello-world-workings-by-myfanwy-tristram

hello-world-artwork-by-myfanwy-tristram

hello-world-mockup-by-myfanwy-tristram

This proved to be a more difficult printing job than I’d anticipated. Fortunately, Rich at Comic Printing UK was far more patient than he needed to be for such a small print run, and after several emails back and forth we hatched a plan which means it won’t be impossibly expensive to produce (partly because it is to be printed in three parts, which I’ll be gluing together myself) — and therefore, crucially, won’t need an impossibly high price tag either.

While I’m talking technical stuff, this is also the first comic I photographed rather than scanning: you may remember my recent blog post when I compared the results of the two methods and how scanning negatively impacted some of the pencil crayon drawings.

The comic deals with a mobile phone app and was shot via a mobile phone camera: how’s that for consistency? Maybe I should pretend it was all part of a high-concept plan.

 

Totnes & Lyme Regis holiday diary, part 6: in which we break everything and go home

Totnes & Lyme Regis holiday sketch diary by Myfanwy Tristram

This is the very final episode in our Totnes and Lyme Regis holiday. If this is the first page you’ve seen, you probably want to start at part 1, actually.

 

Totnes & Lyme Regis holiday sketch diary by Myfanwy Tristram

Totnes & Lyme Regis holiday sketch diary by Myfanwy Tristram

Totnes & Lyme Regis holiday sketch diary by Myfanwy Tristram

Ha! I only wrote that page (above) out a few days ago, and several new things have happened in politics. It’s as if someone has pressed the fast forward button by mistake.

This map (below) was available free, all over the town, for tourists to pick up — and it was drawn by Hugh, our B&B proprietor. Taking a proper look at it, it’s clear that there is still plenty to do in Lyme Regis, so we will have to return.

Totnes & Lyme Regis holiday sketch diary by Myfanwy Tristram

 

We were sad to come home, but drawing it all has, as always, helped me relive the holiday. Hope you’ve enjoyed it too!

Totnes and Lyme Regis holiday sketch diary, part 5: Beatrix Potter’s windswept hair

Myfanwy Tristram sketch diary - Totnes and Lyme Regis

This is part 5 of our holiday in Totnes and Lyme Regis. If you haven’t seen prior episodes, you’ll want to begin from the beginning, so start here.

We’re nearly at the end of the holiday now: just one more installment after this.

As before, click on any image and then click again to see it at a larger scale.

Myfanwy Tristram sketch diary - Totnes and Lyme Regis

Myfanwy Tristram sketch diary - Totnes and Lyme Regis

Myfanwy Tristram sketch diary - Totnes and Lyme Regis

The final episode is here.

Totnes and Lyme Regis holiday sketch diary, part 4: cows, worms, moles & other animals

The image at the top of this post is a happy accident which happened on Photoshop, as I was trying to clean up the picture of the bookshop that appears in the third page below. I like it better than the actual painting, so here it is as a header.

Part 1 is here, part 2 is here and part 3 is here. If you’d like to see the pages at a larger scale, click on the image and then click again.

Totnes and Lyme Regis holiday sketch diary by Myfanwy Tristram

 

Totnes and Lyme Regis holiday sketch diary by Myfanwy Tristram

 

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Totnes and Lyme Regis sketch diary by Myfanwy Tristram

 

Totnes and Lyme Regis sketch diary by Myfanwy Tristram

 

Totnes & Lyme Regis holiday sketch diary by Myfanwy Tristram

Episode 5 is here.

Totnes and Lyme Regis holiday sketch diary, part 3: my baby steampunk gets a taste of celebrity

This is the third section of a holiday sketch diary covering a week in Devon and Somerset. Part 1 is here; and part 2 is here. Enjoy!

Click on the images below, and then click again if you would like to see them at a larger size.

Totnes and Lyme Regis holiday sketch diary by Myfanwy Tristram

Totnes and Lyme Regis holiday sketch diary by Myfanwy Tristram

 

Totnes and Lyme Regis holiday sketch diary by Myfanwy Tristram

Part 4 is here.