Category: Pictures of people

Panel show at Sunnybank Mills in Leeds

Posted in Cartoons, Character illustration, Digital artwork, events, for sale, Graphic Novels, Pictures of people, printsTagged ,

Just a quick note to say that a page from my graphic memoir-in-progress, Satin and Tat, is on display in the Panel Show exhibition at Sunnybank Mills, Farsley, Leeds.

The show runs until November 10 and also includes work from Darryl Cunningham, Joe Decie, Kate Charlesworth, Katriona Chapman, Luke Pearson, Zara Slattery and many many others worth seeing.

There’s an emphasis on how comic art is created, so along with the other exhibitors, I’ve contributed both a finished page and the pencil drawing that was the first step in the process (click to see these at a larger size).

Page from Satin and Tat by Myfanwy Tristram, showing the audience at a gig
Line layout for a page of 'Satin and Tat' by Myfanwy Tristram

The gallery space looks wonderful, and there’s also a shop selling work from everyone. This includes several of my own comics, prints and cut-out dolls. If you’re at all local, Sunnybank Mills is probably the best place to get these at the moment, as I’ve sent them most of my stock.

If you’re the world’s biggest Myfanwy Tristram fan, you can even buy prints of the artwork. I am not sure this particular page is the most desirable thing to have on a wall though!

I’m planning to see the show myself soon, as I am traveling up that way, and I’ll be sure to take some photos and report back.

Satin and Tat: study sketches

Posted in Cartoons, Character illustration, Fashion illustration, Graphic Novels, pencil crayon, Pictures of people, SketchesTagged , , , , 1 Comment

Sometimes it seems like the more you learn about how to make comics, the longer it takes.

While working on Satin and Tat, I’ve changed my habits a bit, placing much more emphasis on preparation. Now, before I even put the final strokes to paper (or screen, since it’s mainly digital work), I’m working on character development, research, study sketches and thumbnailing. I can see for myself the positive effects this all has on the final artwork, but if I used to moan that comic drawing is a full time occupation, well now it really is.

I’m lucky in that I find the details of Satin and Tat‘s era endlessly fascinating; well, I suppose I would, given that the Eighties were my teen years. It’s actually a lot of fun to find reference photos of goth hairstyles and makeup, more mainstream fashions, and the bands of the time, not least because I can now see it all in some kind of context rather than it just being the norm as it was when I was 15 and 16.

Here are some of the study sketches I’ve been working from. Click any picture to see it at a larger size.

Skinheads and eighties haircutsCharacter design attempting to show extroversion. Also – rah rah skirt!

Floppy hats, a crusty style of punk, the more dandified Steve Strange look, and t-shirts split down the sides.

Mosh pits at anarchopunk gigs.

Live Aid – attempts to pin down Bob Geldof and David Bowie’s distinctive looks – plus a backing singer.

Some of these are band members and some of them are people street fighting and it’s quite interesting how interchangeable they are.

Laydeez Do Comics: award and festival

Posted in Cartoons, Digital artwork, Graphic Novels, Pictures of people, The illustration businessTagged , , , ,
Punks vs skins by Myfanwy Tristram

It’s the Laydeez Do Comics festival this weekend, at the Free Word centre in London. Why not come along?

Laydeez Do Comics is a “women-led but not women-only” organisation with chapters in cities across the UK and beyond. For the past couple of years, they’ve run an award for a graphic work in progress by a female identifying artist, and the festival is a culmination of this year’s award process.

On Sunday, it will be open to the general public so that they can browse all the entries, eat cake, and find out who will be awarded the prize.

I’m proud to say that my own work in progress, working title Satin & Tat, was one of the longlisted works, although it didn’t go on to be shortlisted.

That said, it is very difficult to be anything but grateful for LDC, because they’ve structured the whole award very cleverly to benefit everyone who enters, and not just the winner.

You’re instructed to submit the first twelve pages of your work, both in digital form and as a printed comic. Along with this you must provide your biography and a short summary of the plot. By fulfilling the conditions of entry, you may not realise it, but you are creating everything that would be required were you to pitch your work to a publisher or agent.

And there will be publishers in attendance at the festival – hopefully, publishers on the lookout for new creators to work with.

That’s not all, though: in order to help fund the monetary prize, LDC ran a number of professional development workshops and one-to-one consultations with practising graphic novelists. I went along to a workshop by Karrie Fransman in which she very generously shared her top tips for positioning your work and making it appealing to a publisher.

So now I feel very well equipped to go and give my elevator pitch and share the comic I’ve been working on for over a year, to anyone who might like to hear about it. It does feel like it’s about time it saw the light of day and got some feedback from people outside my own circle of friends and family!

Since creating the comic that I submitted for the award, I’ve continued to refine it, so I’ve actually put together a much fuller pitch package which I’ll be sharing with some publishers soon – ones that seem a good fit for this loss of innocence story that takes place against the background of the goth fashions, music and hairstyles of 1985.

While I was already working away on this graphic novel, I don’t think it would’ve been in anything like such a good state to share without Laydeez Do Comics giving me something to work towards, so great thanks to them.

PS, I should also mention that I’ll have a handful of Satin and Tat zines to sell. These are extra copies of my entry, so they contain the first 12 pages along with a synopsis etc. Talk about a very limited edition: there are only four or five available. As an extra incentive I’ll include a goth cut-out doll and one of the prints of the kimono’d bike rider as well.

Work in progress by Myfanwy Tristram - Satin and Tat

Satin and tat by Myfanwy Tristram

Memories of a teenage goth

Posted in Cartoons, Character illustration, Digital artwork, for sale, Graphic Novels, Pictures of peopleTagged , , , , , , 4 Comments
Satin and Tat by Myfanwy Tristram, work in progress

I’ve been pretty quiet on here of late, mainly because I’m working away on one massive comics project that will be another several months before it’s ready to share.

I do sometimes post work in progress over at Instagram though, so anyone who follows me there may already know that I’m deeply immersed in my Eighties memories — and in particular, my life as a teenage goth.

Here’s some work in progress (click any image to see it bigger):
Work in progress by Myfanwy Tristram - Satin and Tat

Work in progress by Myfanwy Tristram - Satin and Tat

Remember crimpers? All bunged up with Elnett hairspray…? I sure do.

But it’s not just set in the past; there are some present-day scenes too, and these have a different colour palette:

Work in progress by Myfanwy Tristram - Satin and Tat

Satin and tat by Myfanwy Tristram, work in progress

Talking of colour palettes: there was one image, in particular, which people on Instagram seemed to really take to; it’s a dream sequence right at the beginning of the story, when the main character (now middle aged) has been taken right back to her youth. She has a very graphic dream about cycling along the riverbanks in her goth finery.

The first version I drew of this was in these colours:

Work in progress by Myfanwy Tristram - Satin and Tat

… but I subsequently changed my mind, because I wanted to differentiate more between the past and the present within the story.

Work in progress by Myfanwy Tristram - Satin and Tat

I’m glad to say that people seem to like them both, and as I won’t have any actual new comics at the Lakes Festival this year I thought I’d offer both colourways as prints. They’ll be nice and affordable because they’re not fancy giclee or anything, just standard digital prints on nice card.

Also as a taster for the forthcoming comic (which SHURELY will be ready for the Lakes NEXT year…), I’m also going to be selling a paper cut-out doll based on all the clothes I wore back then.

So much of my memory of that time is hazy, but I can recall every single item of clothing with crystal clarity. I wanted to share the enjoyment I’ve had as I’ve drawn the leggings, split down the seams and laced back up, or the stripy mohair jumpers that everyone got their grans to knit them, and the pixie boots, oh, the pixie boots.

The dolls come with an extra cartoon (or more of a rant really) on the back — so you’ll have to buy a couple if you want to cut them up. But that’s ok, I’m also planning on making these super-cheap.

If you like these and you won’t be at the Lakes, don’t worry, I proooomise I’ll set up my online shop again after the festival. Just as soon as I’ve stopped having so much fun trawling through old copies of Smash Hits to find authentic hairstyles to draw.

Draw The Line update: catch us at the Lakes festival

Posted in Cartoons, events, for sale, Pictures of peopleTagged , ,
Ask me about Draw the Line

Who remembers the Draw The Line project?

For those who need their memories refreshing, Draw The Line brings together more than 100 comic artists, each depicting positive actions that anyone can take to make the world a better place. It started as a website, and now we’re crowdfunding to make it into the most unusual and inspiring book you’ll ever have on your bedside table (pledge from as little as £10 to be part of it, folks!).

All profits go to the charity Help Refugees.

OK, so now we’re all up to speed.

Here’s the latest news about Draw The Line.

A load of the Draw The Line artists will be at the Lakes International Comic Art Festival on October 13 and 14.

Not through any prior organisation of our own, you understand, but more because the Lakes is such a fun, friendly, enjoyable event, with so much going on, that it just seems several of us will be in the same place at the same time.

SO: come to the Lakes for a chance to have a chat with Steven Appleby, Rachael Ball, Hunt Emerson, Kripa Joshi, Simon Russell, Michi Mathias, Karen Rubins, Zara Slattery, and me.

Some of us will be wearing big embarrassing badges

So you’ll know we’re available to answer questions or explain more about Draw The Line, we’re putting sartorial concerns to one side. Just look for these whopping beauties on our lapels:

Ask me about Draw The Line

We’ll likely have leaflets too, so you can get the lowdown even if you don’t fancy a natter.

And some of us will be drawing pictures or selling goodies in support of Draw The Line

If pledging for the actual book is out of your budget, you can still come along and pay a little bit less and get something really unique.

At 3 – 4pm on the Saturday, come by our table to meet Steven Appleby and get an original drawing.

At 2.30- 3.30 on the Sunday, come and get a fat cat drawn by Simon Russell – you make an ink blot and Simon will do the rest!
fat cat by Simon Russell

At pretty much any time (‘cos it’s our table), Zara Slattery and I will be there. Zara’s going to be drawing her Alice character from her ‘Radical Roots’ Draw The Line contribution (click to see it at a larger size), and I’ll have notebooks featuring the hopeful cyclist from my ‘travel cross country’ strip.

Zara Slattery Radical RootsTravel Hopefully by Myfanwy Tristram

Here’s a hastily-scrawled indication as to where we’ll be: basically the room on the left on the ground floor as you go into the Clocktower, same position as always:

Check out the windows

As if that’s not exciting enough, several Draw The Line artists will also be having their strips displayed on the windows trail — so look out for them in the shop displays as you walk through lovely Kendal.

Buy an excellent comic

It feels wrong to be putting this last on the list, because it’s so cool, but this is more to do with the Thought Bubble festival, running in Leeds this weekend as I write.

Aneurin Wright, one of Draw The Line’s artists, raced against time to bring out a comic he could sell at Thought Bubble, with proceeds going to Draw The Line.

He’s taken all the nuggets of wisdom he’s gleaned from comic artists speaking at various events, and put them together with illustrations drawn on the spot, so it’s a great way to enjoy the pictures while also learning more about the art of cartooning.

You can read more about it here, and the only reason I’m putting it right at the end like this is that I don’t know if he’ll have any copies left once Thought Bubble is over. The person to ask about that would be Nye himself. and you can buy it online here!

—

So… wow, that was a lot of information, wasn’t it? I hope I’ll see some of you in Kendal next month!

 

 

Feminist comics residence, part 2 (the text version)

Posted in Inks, pen, pencil crayon, Pictures of people, Sketches

 

What does a feminist comics residence involve, anyway?

I’ve already covered much of what I found in Helsinki in the comic I shared recently: the unique surroundings; the friendly participants who all had so much in common; the food, for which we didn’t have to raise a finger or pay a cent; and the inspiring speakers. Here’s a bit more detail about the elements that made it so useful and enjoyable.

Ice-breaking: Kicking the whole event off the night before in the historic Yrjönkatu swimming hall and sauna was an inspired move, and meant that even while the snow was piled high on the streets outside, the metaphorical ice was quickly broken. Hard to be aloof when everyone’s unclothed!

Drawing: Active events such as comics workshops, games and zine-making were a welcome chance to put pen to paper, and in between events many of us just went on drawing. We were a room full of captive models, none of us exactly in a position to object, given that we were all drawing too.

Talks: For me, the presentations were the high point. Some speakers were from amongst the ranks of the attendees, and some popped in from elsewhere. I appreciate that a programme full of speakers would have been a different event, more akin to a conference; I also imagine that they’re the most demanding aspect to arrange, logistically, but this was definitely my favourite element of the residence, and I really appreciated the range of experiences they shared.

Getting out and about: Finally, it was lovely to finish up with a trip into town, especially for those of us who hadn’t visited Helsinki before. We nipped into a comic shop (happy to say my comics are now available there!) and had a private view of the non-binary photography exhibition at the ArTAG gallery. We all ended up FEMSKT (the organisers)’ workspace and studio for a low key party. Johanna bought many of our comics to add to the feminist comics library, and to take off to Finnish comics festivals. It was inspiring to see just how much FEMSKT and Johanna have done for women and comics in Finland and beyond.

Links

Just in case you’d like to view some of the same artwork and ideas that we were lucky enough to enjoy, here are some of my personal highpoints.

Johanna Vehkoo is a journalist who collaborated with comic artist Emmi Nieminen to produce a visually impressive volume about online hate speech. From her talk it sounded well researched, and I am very much hoping it will have an English translation soon. Meanwhile, you can see an excerpt in English.

It’s depressing to think that Finland (and presumably everywhere) suffers the same problems with trolls and online misogyny as we do in the UK, but heartening to know that the subject is being thrust into the public consciousness with these beautifully-rendered comics.

Sunna Kitti is the Sámi comic artist you might have noticed in the comic in my previous post. “Yes, I have reindeer”, she began. Her website’s in Finnish but you can certainly enjoy her portfolio full of skilled illustrations.

Rachael House was my fellow Brit, who I was glad to buddy up with on the way to the villa. She gave a great talk about her work in zines and feminist artwork, which extends from banners and embroidered patches to ceramics and even piñatas.

Justine Sarlat spoke about the French collective of female comic creators against sexism, which has its own charter and a page (currently only in French) in which women in the industry recount tales of everyday sexism (“It’s long”, she said sardonically).

Helsinki is rightly proud of its famous resident Tove Jansson, and you can see early frescoes of hers at the HAM gallery.

How did it happen?

Sometimes you can look back and see the exact domino-fall of events that led up to a specific opportunity. In this case, it began with the uncharacteristically impulsive decision to contact a couple of unknown Finnish comic makers and invite them to the UK.

Knowing Siiri, herself an active member of the flourishing Finnish self-published comics movement, gave me good reason to chat to Johanna Rojola (perhaps best described as she is on that page: “artist, producer, publisher, teacher and an activist spanning causes such as feminism, gender equality, global justice”) at the Lakes Comics Festival that year.

After that, Facebook played its part. Love it or hate it, there’s no denying that social media is great when it comes to forging links and solidifying connections. A flyby conversation about Uniqlo’s forthcoming Marimekko line (I am consistent in my passions) was diverted into an invitation from Johanna to the residence. If the residence itself hadn’t been inticement enough, Siiri’s comment along the lines of ‘Are you crazy? The Helsinki charity shops are full of Marimekko at far cheaper prices’ was clearly calculated to hit me right in my known weak spots. Within days the plane ticket was booked.

I wasn’t quite sure what to expect of the residence, but ‘feminist’ and ‘comics’ were good lures, too. Michi Mathias and I had been tossing over the idea of organising a short retreat here in the UK, and I was keen to see how many of our half-formed ideas were in alignment with this established event. It would be interesting to see what worked well, and what we might be able to copy!

End note and photos

As with anyone who grew up with the Moomins as a bedtime story, loves a good sauna, and has come to appreciate Marimekko’s bold textile design, Finland has loomed large in my imagination for much of my life. Yes, I could have visited at any time to see if those Mymble, Snuffkin and Groke-sparked dreams held any reality, but the residence gave me, at last, a concrete reason to visit.

All in all, it made for a memorable and meaningful trip. I’ve already listed the gains on the comics side — what about the fringe benefits?

Well, I came home having seen the Marimekko outlet store but somehow (for which read ‘the exchange rate’) having resisted a purchase.

I did indeed visit those thrift stores with their promised haul of designer labels. I can report that the Moomin shop in Helsinki airport offers everything from Hattifattener rucksacks to Hemulen saucepans. I didn’t actually see a Moomin in the wild, but I did glimpse a huge white hare.

On the language front, I seem to have picked up the words for ‘comic’ (sarjakuva), ‘thank you’ (kiitos) and, by way of this apparently famous hedgehog, one of the more graphic swear words.

But mostly what I’ve brought home is the memory of those very white landscapes, and of those very inspiring women. All things considered, a highly satisfactory set of results, as I’m sure you’ll agree.

I often wonder to myself why it is that I bother with comics. They’re time-consuming; I’m seldom completely happy with my work; and they certainly don’t make me any money.

I always come to the same conclusion. Comics have been a gateway into the most inclusive and welcoming community I’ve ever experienced. They’ve given me a chance to travel to places I wouldn’t otherwise see, and meet people who can show me new perspectives on life. The Feminist Comics Residence was the perfect illustration of this.

Enclosed verandah on the first floor of Villa Salin
One of the participants
One of the participants
Rachael House goodies
Sunna Kitti giving her talk
One of the participants
One of the participants
View from a run
Drawing exercise in which you don’t look at the paper or take your pen from it
A couple of the participants
View from the drawing room window
One of the participants
Sketch of a participant
One of the participants
Showing off the ‘feminist wallpaper’ by Heidi Lunabba, soon to be properly installed at the FEMSKT feminist Comics workspace
One of the participants
One of the participants
House on what would ordinarily have been an island, now icebound.
One of the participants
Rachael House making porridge for 20
Sketch of everyone around the table, all drawing or thinking
More frozen sea!
More sketching
Tyre marks where cars have driven on the sea
Across the villa garden to the frozen sea
Johanna giving a workshop
One of the participants
Villa Salin, seen from the back, with the shoreline behind the viewer.
Yrj̦nkatu swimming hall Рno photos allowed while people are actually swimming, so this was a quick snap as we were on our way out.
View across the frozen bay at Lauttasaari

Feminist Comics Residence in Helsinki

Posted in Cartoons, Digital artwork, Pictures of people, Sketch diaryTagged , , 11 Comments
Villa Salin by Myfanwy Tristram

I mentioned in my last blog post that I’d had the improbable but wonderful experience of attending a feminist comic artists’ residence on Helsinki, organised by the formidable FEMSKT, Femicomics Finland. The few days gave me a so much: the visual stimulation of a completely new landscape; new friends and contacts; and a window into the practices of two dozen women from many different countries, all making comics for their own reasons and in their own ways.

I’ll write a fuller blog post about it all soon (EDIT: it’s here), together with some links to the several interesting artists and projects I encountered, but for now, here is my response in comic form. It centres around the house we all stayed in, which as I hope is clear, had an extraordinary provenance that made the whole event possible. Click twice on any of the pages to see them at a larger size.

Villa Salin by Myfanwy Tristram p1

Villa Salin by Myfanwy Tristram page3

80s comic part 2: what medium?

Posted in Cartoons, Character illustration, Digital artwork, Fashion illustration, Gouache, Graphic Novels, Pictures of people1 Comment

While thinking about character design, I was also giving lots of thought to what medium I’d use. Here are some experiments with digital colouring.

I was impressed to find that the digital drawing app I use, Leonardo, can do a very convincing pencil crayon effect:

In the end though, I decided I don’t have enough expertise with digital drawing to make a whole comic look as good as I want it to. Always one for the time-consuming and effortful method, I’ve plumped for gouache.

Planning a comic based on the 80s – character design

Posted in Cartoons, Character illustration, pencil crayon, Pictures of people, Sketches
punks by Myfanwy Tristram

I wouldn’t have said I was a particular expert on anything, but when I started planning a new comic based on my teenage years, I realised that we’re all extremely knowledgeable about one thing: our own lives.

And if you live long enough, that makes you something close to a historian.

Yes, it has come as rather a surprise, but I suppose the eighties can now firmly be described as a historic era — and one that I could probably use as my specialist subject on Mastermind, should that particular nightmare ever become a reality. Dipping back into my memories of those days, I found that I can strongly evoke the clothes I wore, the bands I went to see, and the lengths we went to in styling our hair (cue a half hour reverie about crimpers and backcombing).

crimping by Myfanwy Tristram

And where there are gaps in my memory? I’ve been gratified to find that even though this was, of course, pre-internet, there are plenty of websites whose owners have carefully scanned in pages of Smash Hits (my magazine of choice at the time) and photographs from their own nights out, with which I can complement my own photo albums.

All this is to say that, over the last few weeks, I’ve been living in an age of stripey mohair jumpers, Doc Martens and my old army jacket, complete with old lady-style brooches and CND badges on the lapel. This is turning out to be an absolute joy of a comic to research, and I’m enjoying being able to include all these little details that mean so much to me (and will, I hope, also mean something to its readers, especially if they are of a similar age).

When I say ‘research’, what I mostly mean is gawping at the internet in astonishment that there are blow by blow accounts of a gig I went to in 1984, or looking up what Bananarama were wearing on Channel 4’s the Tube, or trying to find a photo of exactly how we danced when we were trying to look like Morrissey.

Crass by Myfanwy Tristram

But back to the drawing. There’s something about this comic, probably the fact that it’s so close to my own experiences, that means I want to get it right. Of course, with every comic you want it to be better than the ones you’ve done before, but that feels particularly important in this case. So, before making a start on the drawing, I’ve spent a long time in preparation.

I spent ages on the script, and even got my playwright husband’s (very useful) input on it. I thought for a long time about what medium to draw in, trying to consider the cost and time involved with colour illustrations, and how best to depict the two different time periods (the action switches between the 80s and present day).

I began with a long period of sketching to try and get the characters right, working first in pencil crayon for the freedom it affords in terms of how easy it is to overdraw any mistakes. Here are some of those very early sketches.

long fringe by Myfanwy Tristram

mohican by Myfanwy Tristram

teen by Myfanwy Tristram

carryint the tv out the window by Myfanwy Tristram

another mohican by Myfanwy Tristram

punx by Myfanwy Tristram

punx by Myfanwy Tristram

coloured in punks by Myfanwy Tristram

Hourly Comic Day 2018

Posted in Cartoons, Pictures of people, SketchesTagged , , 2 Comments

Every first of February is Hourly Comic Day, where mad people comic artists attempt to draw a comic, or a frame of a comic, for each hour that they are awake.

It fell on a Thursday this year, which is not ideal for me: during the week, I am sitting at my desk working for most of the day, which does not make for very compelling cartooning. So I cheated (honestly, I think cheating in various ways is all part of the Hourly Comic Day experience; or, let’s say, some creativity and laxity around the rules, such as they are, is encouraged) and did mine at the weekend.

I’ll be treating you to some full-colour beautifully pictures then, will I? You might think so, but I tell you, whether you’re doing Hourly Comic Day on a weekday or a weekend, it’s still tough to even do more than a quick scribble, especially given that you actually have to live your life between images. Some people do put out amazing stuff. I am not one of those people.

So I’m afraid you get some pencil sketches and they’re not even very well reproduced here. But oh well, hopefully they’re legible and still enjoyable.

Hourly Comic Day 7am Myfanwy Tristram7:00 Got up before everyone else – even the cats. Put a wash on. Coffee and posh toast (apricot and walnut)

Hourly Comic Day 8am Myfanwy Tristram8:00 I’m scripting the next big comic I want to make, about my teenage years. It’s such a bizarre experience putting myself back in that time.

Hourly Comic Day 9am Myfanwy Tristram9:00 As usual, it’s such a rollercoaster of emotions. One minute: “I’m a genius! This is going to set the whole world on fire!” Next minute: “…or maybe it’s just a pile of self-obsessed tosh”.

Hourly Comic Day 10am Myfanwy Tristram10:00 Sidetracked researching authentic music for background detail. Ooh perfect, this was released that very month. Oh-oh-oh the Hounds of Love – God, this is really hard to sing along to! A parcel comes from my bro – a late birthday present for Tabs… pins and patches – nice!

Hourly Comic Day 11am Myfanwy Tristram11:00 Tabs is watching slime videos. It’s beyond me – these people poke and prod and review the literally useless medium of slime.. and millions watch! ‘Now this one has a slight smell of walnuts and it’s a bit dry’ *poke poke* *squelch* Let’s go out Tabs, you’ve been indoors all week (she’s had a bad cold).

Hourly Comic Day midday Myfanwy Tristram12:00 Tabs, Joe and I get the bus into town. Tabs is telling me about YouTube stars Dan and Phil. So, every night, millions of little girls are going to sleep dreaming of Dan and Phil? Yes but they’re not dreaming about going out with them – they’re dreaming of them going out with each other! ‘Shipping’ them.
Dan’s ‘soft’. In the head?

Hourly Comic Day 1pm Myfanwy Tristram1:00 Nice second hand jacket – but Tabs preferred this jumper. She spends her Xmas money on it.

Hourly Comic Day 2pm Myfanwy Tristram2:00 We go to E-Kagen for lunch but it’s SO FULL and we are about to turn away when we hear, ‘Hello!’. It’s our old friends Victoria and Dermot and their daughter Kath & they make room for us – so lucky! And we haven’t seen them for ages so we can catch up on all their news – a theatre tour to Mumbai, buying a holiday house near Toulouse, one daughter in NZ. “They gave us a standing ovation for a joke… it wasn’t even a particularly good joke!” “There’s a big attic – we’re going to knock it all open and put a load of single beds up there so everyone’s kids can sleep together when they come to stay”.

Hourly Comic Day 3pm Myfanwy Tristram3:00 It was lovely to see them, but do you ever feel like our lives are a bit… boring in comparison with other people’s?
Nothing wrong with boring.
Reminded me of Posy Simmonds’ ‘Gemma Bovary’
Reminded me of Peter Mayle’s ‘A Year in Provence’.
It’s raining.

 

Hourly Comic Day 4pm Myfanwy Tristram4:00 We bought a scratch post for the cats.  Talking of boring lives…The bus stop was full of people sheltering from the rain so we nipped into Card Factory. Hey look! They have same-sex cards now. That’s good if even the bargain basement shops embrace it as standard. (hums) Oh oh oh oh the hounds of love… Tabs has borrowed my hat.

Hourly Comic Day 5pm Myfanwy Tristram5:00 Playing Animal Crossing Pocket Camp. I’m probably more addicted than is ideal (level 59). Aw Kid Cat. Sorry Joe, I’m afraid to tell you I’m developing strong feelings for Kid Cat… argh, why are there never any pale chub when you need them?

Oh oh oh the hands of love… what is that song?

It’s HOUNDS! Not hands…

Hourly Comic Day 6pm Myfanwy Tristram6:00 A light supper (egg mayo rolls). That’s funny, you know how we were talking about Peter Mayle? Well he died a couple of days ago.
That’s not FUNNY.
What’s that?
Peter Mayle died a couple of days ago.
Oh, that’s funny!
No, it’s not funny, god! Someone died!

Hourly Comic Day 7pm Myfanwy TristramFrom 7:30 -10:30 pm I was just drawing. Oof… wrist ache!

Hourly Comic Day 10.30pm Myfanwy TristramAt 10:30 pm I very sensibly went to bed and straight into a very deep sleep…well, apart from another hour of Animal Crossing… beep boop bip, snorfle.


I also did Hourly Comic Day in 2014, 2015, 2016 and 2017!

2017 – a year in drawing

Posted in Cartoons, Graphic Novels, Greetings cards, Inks, Life drawing, Links, linocuts, Party invitation, pastels, pen, pencil crayon, Pictures of people, Sketch diary, Sketches, WatercolourTagged , , 2 Comments
Myfanwy Tristram cards

No matter how much time and energy I put in, I never feel like I’m doing quite enough drawing, so it’s always good to look back over the year and realise quite how much paper (and pixels) I’ve stacked up! Here’s a quick run-through of how 2017 looked.

February

On the 1st, I took the Hourly Comic Day challenge, where you draw one frame for every hour you are awake.

Inevitably, my piece reflected some of the day’s political events:

Myfanwy Tristram Hourly Comic Day 2017 www.myfanwytristram.com

I’ve definitely got the Hourly Comic Day bug now, and I hope to participate again on Feb 1st next year.

Draw The Line logo by Karrie Fransman

On the 21st, having been beavering away since October 2016, we launched the Draw The Line project website.

This is the biggest comics project I’ve ever attempted: it brought together 114 artists from many different countries, each depicting a positive political action that anyone can take.

I’m still hoping to put out the print version of Draw The Line, and in the new year I’ll be looking at ways to make that happen.

April

Draw The Line safely launched, I spent the next few months finishing my comic Ladies of the Lakes. Follow that link to read it all online in installments.

Ladies of the Lakes by Myfanwy Tristram

I also had it printed up so I could sell it at various festivals and stalls over the year – as you might expect, the Lakes Festival was where demand was highest.

Julie Gough’s Illustrated Women in History project mounted an exhibition and I contributed a small image of the Boston marathon runner Kathrine Switzer.

Kathrine Switzer by Myfanwy Tristram banner

May

The Inking Woman exhibition opened in London’s Cartoon museum, and I was honoured to have a piece included in it. This coming March, an accompanying book will be published.

I was away so I couldn’t make the opening night, but here’s a picture from Myriad publishing’s Corinne, featuring many of the exhibitors (click to see it at a larger size):

and here’s a bit of my exhibited image from when it was still in progress:

go cross country by Myfanwy Tristram

April

This is the month when I shared some life drawing I’d done in pastels. I’ve been going along to life drawing sessions most weeks though, so there are plenty more where that came from. Here are a few (click to see them larger):

life drawing by Myfanwy Tristram

Some weeks I still come away with some awful drawings (and my attempts at the quick 3 or 5 minute poses seem to be getting worse and worse) but on the whole I do feel like I’m making progress.

August

I entered a strip into SelfMadeHero’s Jeremy Corbyn comic. Sadly it wasn’t selected for publication but at least I had fun drawing cat of the moment, El Gato.

Corbyn and el Gato header by Myfanwy Tristram

September

I designed some nice postcards to sell alongside my comics at festivals. I still need to sort out a shop so I can sell these online too! Click to see them bigger.

Myfanwy Tristram cards

October

My love/hate affair with the Comic/Cape/Observer Graphic Short Story contest continues and this year I once again submitted a strip. Needless to say it didn’t elicit even a quiver of notice! As usual, I did my round-up of other unsuccessful (and successful) entries once the shortlist had been announced.

I also spent every day of October doing an ink drawing in the name of Inktober, something I enjoyed (mostly, though it was occasionally a bit of a squeeze finding the time every day) and which I think taught me quite a bit about composition. That was my vague aim so I’ll count that as a win.

November

‘Only’ seven months after returning from a trip to Florence, I finished the sketch diary I’d been drawing. I also sadly concluded that I probably won’t do any more of these in the near future – they just take up way too much time and the result, while very nice to have, doesn’t really help to further my work.

Florence sketch diary by Myfanwy Tristram

This month I also spoke at the Graphic Brighton / Caption event. My topic was Draw The Line and specifically how to organise a large comics project from a distance. I’d like to do more talks like this so I’ll be actively pursuing a few opportunities next year.

herding cats banner image by Myfanwy Tristram

December

Recent readers will recall that I made, and blogged, a four-colour linocut Christmas card. Despite a few hairy moments (literally in some cases, when the cats wandered past still-drying ink) I enjoyed this and would love to have time to get better at working with this medium.

Lino cuts by Myfanwy Tristram

I received the very welcome news that Draw The Line had been nominated for a Broken Frontier award. The results will be revealed in January.

And in my last drawing task of the year, I made a party invitation for my daughter:

It’s been a great year, and one aspect which perhaps isn’t reflected in this account of solitary work sitting at my desk, is how sociable and supportive comics people are. It’s been a pleasure to meet and chat with so many of them this year.

Deserving a special mention are Zara Slattery, who has been my accomplice at pretty much every comics event I’ve attended (not to mention all the lifts home from life-drawing classes!), and Simon Russell, who was on a one-man mission to make small press comic-selling more viable with his pop-up stalls.

And now… forward into 2019! Hope it’s a goodie.

Trampoline party invitation design

Posted in Digital artwork, Inks, Party invitation, Pictures of peopleTagged ,

The self-imposed drawing tasks come thick and fast for me at this time of year. No sooner have I sent out my Christmas cards than it’s a race to draw my daughter’s birthday invitations in time for her to hand them out at school before term ends.

This year she’s having a party at the local trampolining centre, and here’s what I came up with:

trampoline party invitation by Myfanwy Tristram

I’ve left it blank, so feel free to print it out and use it if you are having your own trampoline party! All I ask is that you keep the web address on the side there, so people know where the pictures came from.

For my own invitations, I added text between the figures with all the details of where and when the party was, etc, and there are faint guidelines so you can fold it into three. It then fits into a nice standard-sized envelope.

And now, some process pics.

Sketches:

by Myfanwy Tristramby Myfanwy Tristram

I inked over these with a lightbox and coloured them in digitally.

Then went to print them out. Oops, I guess my printer is low on yellow ink:

[Inserts yellow ink] Oops, I guess my printer is low on magenta:

[sends husband to buy ink]

Phew, finally. And here they are all printed out:

(I’ve removed some of the text just in case of random internet malefactors!)

Florence sketch diary: last day in Florence, and thoughts about sketch diaries

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Florence sketch diary by Myfanwy Tristram

This is the last part of the series. If you want to start from the beginning, page 1 is here.

Florence sketch diary by Myfanwy Tristram

Florence sketch diary by Myfanwy Tristram

Florence sketch diary by Myfanwy Tristram

Florence sketch diary by Myfanwy Tristram

That’s it! I hope you enjoyed accompanying me on my trip to Florence.

I’m pretty sure it’s going to be my last sketch diary for a while. While I love to make them, and am pleased to have them as mementoes of our family holidays, as my ambitions grow in terms of how much detail I want to include, so they take more and more time.

I’m still only able to dedicate around 90 minutes a day to artwork, on top of the dayjob, household duties, etc. This Diary took six months (pretty much – the time was interrupted by a couple of other deadlined comic projects which I recorded here) to draw, followed by a further month or more cleaning it up, and there’s still tons I’d redraw or tidy if it was headed for publication anywhere more formal than my own blog. That doesn’t leave much time in a year for any other kind of work. I’ve even been on another three trips since Florence (including an eminently diarisable and puffin-heavy trip to Berwick and surrounds) which I can’t record with this amount of detail. And that’s what I’d want to do. One solution would be to pull out small strands or record less, I suppose, but I don’t feel massively inclined to do that.

So unless someone can find a way to conjure up more hours in every day, that’s it for this particular artform, for now at least. Hopefully that will mean more smaller projects and in turn that will mean more frequent updates on this blog, so it’s not all bad!

Florence sketch diary, day 7: you will not believe what we can do with balloons

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Florence sketch diary by Myfanwy Tristram

Here’s day 7 of our trip. If you want to start from the beginning, page 1 is here.

Florence sketch diary by Myfanwy Tristram

Florence sketch diary by Myfanwy Tristram

Florence sketch diary by Myfanwy Tristram

Florence sketch diary by Myfanwy Tristram

Florence sketch diary by Myfanwy Tristram

Come back tomorrow when the conference begins.

Florence sketch diary, day 6: switching to work mode

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Florence sketch diary by Myfanwy Tristram

Here’s day 6 of our trip. If you want to start from the beginning, page 1 is here.

Florence sketch diary by Myfanwy TristramFlorence sketch diary by Myfanwy Tristram(Apologies for the wavy text, here and elsewhere: it’s because these pages are photographed rather than scanned, and not always perfectly flat)

Florence sketch diary by Myfanwy Tristram(The usual apologies to my colleagues – and any other *real people* I might represent — for my failed attempts at capturing a likeness)

Florence sketch diary by Myfanwy TristramCome back tomorrow for a big surprise at the conference venue!

Florence sketch diary, day 5: the holy grail

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alt="Florence sketch diary by Myfanwy Tristram"

Here’s day 5 of our trip. If you want to start from the beginning, page 1 is here.

Florence sketch diary by Myfanwy Tristram

Florence sketch diary by Myfanwy Tristram

Florence sketch diary by Myfanwy Tristram

Florence sketch diary by Myfanwy Tristram

Read on to Day 6, when I switch over into ‘work trip’ mode.

Florence sketch diary, day 4: deluxe cakes, gardens and posh frocks

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Here’s day 4 of our trip. If you want to start from the beginning, page 1 is here.

Florence sketch diary by Myfanwy Tristram

Florence sketch diary by Myfanwy Tristram

Florence sketch diary by Myfanwy Tristram

Read the next entry for a big discovery, plus the only cat in Florence.

Florence sketch diary, part 1: the one-trouser strategy

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Florence banner by Myf Tristram

In April 2016, I took a trip to Florence, Italy. This is my sketch diary. I hope you enjoy it.

Intro page. In case you don’t recognise it(!), the dark lumpy thing that one of the cherubs is holding is supposed to be a truffle.

Florence diary by Myfanwy Tristram

Joe’s concern is very British:

Florence diary by Myfanwy Tristram

Florence sketch diary by Myfanwy tristram

Florence sketch diary by Myfanwy Tristram

Florence diary by Myfanwy Tristram

Florence diary by Myfanwy Tristram

Now read part 2: a sweary neighbour and some desirable stationery.

A completed Inktober

Posted in Inks, Pictures of peopleTagged 6 Comments

Who remembers Clovember, in which the idea was to draw your clothes every day through the month of November?

Well, perhaps I’m a sucker for these portmanteau-titled month-long challenges, because along came Inktober (draw something in ink daily for 31 days) and I did my usual thing (“No promises; I might just do one or two”), before immediately feeling that I had no other choice but to complete the challenge.

Oct 28: Hundreds of migrants are stranded in Budapest after police stop trains leaving for Austria and Germany in a bid to prevent them from travelling onwards.

You can choose to work from a list of daily prompts, but I made a swift and unconsidered decision to base my images on photographs from the news. My motivation was twofold:
– News photographs often contain people in dramatic but unposed compositions, which hopefully would teach me new angles and ways in which humans intersect, to carry through to my work in comics;
– We see so many images online every day; by drawing them, I wouldn’t be able to just scroll by and hardly understand what I was seeing. Instead, I’d be thinking about each person as I drew them.

Oct 30: French president Emmanuel Macron plays it cool when catching a whiff of marijuana during a visit to French Guiana, warning youngsters that it won’t help with their schoolwork.

The kind of pictures I chose


As always with this kind of project, it took a few days for me to settle in and understand exactly what I was doing. After a week or so, I began to know exactly what sort of photographs I was scouting for (a process that often took as long as the actual drawing). Elements that attracted me were:
– Crowds of people, often swarming around a central point: an interviewee surrounded by journalists with recording devices; a protester being manhandled by multiple police officers; a speaker being harangued by opponents;

Oct 23: Demonstrators on both sides demonstrate outside a university where white supremacist Richard Spencer was speaking.

– Compositions where one or more people were in the foreground with others in the background, ie differences of scale;
Oct 19: An outbreak of plague has killed 74 people in Madagascar.

– Complicated scenes where it is hard to tell which body part belongs to whom
Oct 6: Syrian Democratic Forces help a shell-shocked comrade to his feet.

– Interesting clothes, faces, poses and expressions.
Oct 14: High court judges take a selfie at the valediction ceremony for Mr Justice Bodey.

How I worked

The only Inktober rule is that you use ink. In most cases, I went straight to pen without any pencil drawing first, although there are a few exceptions to this, especially early in the month.

Drawings took between 20 minutes and an hour. I managed a daily drawing despite being ill for two of the days, home late on one of them (resulting in a late-night drawing) and away with work and comics stuff for another four.

Oct 3: People filling containers with water in an area hit by the hurricane in Puerto Rico

What I learned


– This sort of project always requires you to set aside concerns about sharing work that isn’t perfect or as good as you’d like (unless you have all day to redraw the images that don’t come out as you’d like);
– But equally, in the doing, sometimes images emerge that really surprise you, drawn in a way you probably wouldn’t otherwise have arrived at;
– By sharing them on Instagram or Twitter, you get immediate feedback in the form of a ‘like’ count, and the ones which followers like are not always the same as the ones you like yourself;
– Drawing hands will never be easy.

Oct 22: Pole dancing could become an Olympic event. A member of the Chinese national pole dancing team practices.

Next time


I really hope I can immediately apply some of the experience from this Inktober to my drawings. And next time, I’d like to choose a theme that encouraged me to loosen up rather than to lean towards my natural tendency of tight detail like this. So, perhaps something more imaginary and fanciful. Can someone remind me of that on Sept 30 2018, please?

Here are all the month’s pictures arranged chronologically in a gallery: you can click on one and then you’ll be able to click through them all at full size.

Oct 1: Spanish police resist a woman who wants to vote in the Catalan independence referendum
Oct 2: Chaos as music festival attendees in Las Vegas try to avoid bullets from a serial killer, shooting from a hotel window.
Oct 3: People filling containers with water in an area hit by the hurricane in Puerto Rico
Oct 4: Rohingya families walking towards shelter at the Myanmar border.
Oct 5: Kazuo Ishiguro being interviewed after learning that he’d won the Nobel Prize for literature
Oct 6: Syrian Democratic Forces help a shell-shocked comrade to his feet.
Oct 7: Swedish model Arvida bystrom received threats after posing for an Adidas campaign with hairy legs.
Oct 8: A leopard was loose in India’s largest car factory. It was tranquilised and will be released back into the wild.
Oct 9: Senator Bob Corker described the White House as an adult daycare centre.
Oct 10: In Satiago, Chile, riot police tackle a demonstrator.
Oct 11: Women protest ‘braid choppings’ in Kashmir. A bizarre story of women’s hair being forcibly cut by unidentified assailants.
Oct 12: In Vietnam, soldiers help save a pig after flash floods.
Oct 13: Cronulla Sharks captain Paul Gallen and club legend Andrew Ettingshausen tearfully embracing after an NRL win: an image which won the Nikon Walkley photograph of the year award.
Oct 14: High court judges take a selfie at the valediction ceremony for Mr Justice Bodey.
Oct 15: Kyrgyzstan has held a presidential election that is unusual for central Asia because the result is unpredictable.
Oct 16: A cargo plane crashed into the sea off Ivory Coast, close to Abidjan airport.
Oct 17: Venezuela’s opposition refused to recognise a surprise win for the ruling socialists in the regional elections. Mayor Carlos Ocariz greets supporters.
Oct 18: Raqqa has fallen to US forces.
Oct 19: An outbreak of plague has killed 74 people in Madagascar.
Oct 20: In Mogadishu protesters wear red to show solidarity for those killed in the rpevious weekend’s truck bomb.
Oct 21: Populist billionaire candidate Andrej Babis and his party won the Czech Republic’s general election.
Oct 22: Pole dancing could become an Olympic event. A member of the Chinese national pole dancing team practices.
Oct 23: Demonstrators on both sides demonstrate outside a university where white supremacist Richard Spencer was speaking.
Oct 24: Doan Thi Huong, on trial for the murder of King Jong Nam, half brother of North Korea’s leader, is escorted as she revists the scene of the murder.
Oct 25: A policeman ‘apprehends’ a Leeds United fan.
Oct 26: A member of a feminist organisation is ‘detained’ by riot police during a rally in Santiago, Chile.
Oct 27: People react as the Catalan parliament declares independence.
Oct 28: Hundreds of migrants are stranded in Budapest after police stop trains leaving for Austria and Germany in a bid to prevent them from travelling onwards.
Oct 29: An NSA protester yells at nearby police officers during the rerun of the Kenyan election.
Oct 30: French president Emmanuel Macron plays it cool when catching a whiff of marijuana during a visit to French Guiana, warning youngsters that it won’t help with their schoolwork.
Oct 31: Refugees hold up their hands in protest inside Manus detention centre in Papua new Guinea.