It’s not long now until my compadre in comics, Zara Slattery, and I hop onto a train to make the long journey to the Lakes International Comics Art Festival. If you’re in the area, I hope you’ll come and see us.
Here’s a map of the Clocktower building (click to see bigger) — we’ll be on the ground floor, not far from the entrance. And here’s a very large photo of my face so that you can recognise me.
I’ll be selling comics I’ve mentioned on here before: Two Birds, Everything My 10-year-Old Daughter Wore In November, and Salon of Rejects, plus postcards and stickers. All being well, I’ll also have Hello World, a brand new comic about Instagram.
If you follow me on Instagram itself, you’ll have seen some of the drawing process and, far more challenging, the cutting, sticking, unsticking and resticking that ensued when it dawned on me that a comic about Instagram could only really have one format: it needed to be a vertical scroll. Cue lots of rough print-outs and mock copies in various configurations.
This proved to be a more difficult printing job than I’d anticipated. Fortunately, Rich at Comic Printing UK was far more patient than he needed to be for such a small print run, and after several emails back and forth we hatched a plan which means it won’t be impossibly expensive to produce (partly because it is to be printed in three parts, which I’ll be gluing together myself) — and therefore, crucially, won’t need an impossibly high price tag either.
While I’m talking technical stuff, this is also the first comic I photographed rather than scanning: you may remember my recent blog post when I compared the results of the two methods and how scanning negatively impacted some of the pencil crayon drawings.
The comic deals with a mobile phone app and was shot via a mobile phone camera: how’s that for consistency? Maybe I should pretend it was all part of a high-concept plan.