We’re lucky in Brighton: the city is home to Myriad Editions. Few British publishers really champion the graphic novel form as much as they do, nor take such delight in stretching the definition to embrace techniques such as embroidery and lino cut.
I’ve just come back from a talk, chaired by its Creative Director Corinne Pearlman. She, and the very personable Nye Wright and Hannah Eaton made a couple of hours pass very pleasurably, as they read from their own works, mused on the process of getting into print, and graciously took sometimes rather complex questions from the audience.
If you entered the Cape/Comica/Observer contest and felt like, actually, four pages wasn’t enough for you, you wanted to go on to, oooh, say, another 250, then you’ll be interested to know that Myriad will shortly be running their First Graphic Novel competition for 2014. Start drawing now, and you’ll have a head start!
As I’ve mentioned before, I can’t resist drawing people at events like this. Here are some sketches from tonight.
The woman in front of me had this great hair:
And here (below) are a few sketches from train journeys to and from London yesterday. As always, click to see them bigger.
I absolutely love doing this kind of drawing. I keep wondering if there’s a niche for it – like, I could get hired to go to someone’s wedding and draw all the guests (I’d hate that actually – it’d be so stressful and there’d be a terrible pressure to get flattering likenesses).
The most agreeable example of this type of work I can think of is when the Guardian sent Posy Simmonds to (I think) Paris Fashion Week. I can’t find any images from it online, though, so maybe I’m remembering the details wrongly. Can anyone point me in the right direction?
