Going digital

by Myfanwy Tristram

Now that Ladies of the Lakes is largely out of the way (I am going to redraw two or three frames and add a cover before I send it to the printers), I’ve finally had time to play with my new laptop.

We’re very lucky at my workplace, in that they provide us with a laptop to work on: our choice of model, up to a price limit. If we want to, we can add our own money on top to get a more expensive one, and that’s how I have come into possession of a machine that I’d never have considered buying outright for my own purposes only – the Microsoft Surface Book.

I’m enjoying it for my work needs, and getting used to the fact that it’s a tablet/laptop hybrid: you can remove the screen and use it on its own, and even with the keyboard part attached, you can still navigate and interact via the touchscreen.

But what I’m enjoying it for outside my work hours is the fact that, with the special pen it comes bundled with, you can draw directly onto the screen. Now, it’s not like I’ve never done any digital drawing, but this is different from what I’m used to with my desktop, where I plug in a Wacom tablet sometimes: there, you’re drawing on the flat surface in front of you, but seeing the results come up on the monitor.

I wanted some time to figure out the set-up, and after frustrating experiences finding out, for example, that my version of the Photoshop Elements program wasn’t compatible with the Surface Pen, and researching various other apps, I came across Leonardo, which was specifically developed with the Surface Book in mind.

Cannily, they offer a trial period, perhaps in the knowledge that once you try it out you’ll be hooked. Leonardo doesn’t offer quite everything I’m used to in Photoshop (for example there’s no way to export in CMYK, no importing of brushes, and no clone stamp – plus lots of other features no doubt that I haven’t yet come across) but I do like the ‘infinite canvas’ which ensures you never run out of space to draw on, and I’m finding the shortcut menus really handy.

Here’s me giving it some trial runs:

 

Myfanwy Tristram

Myfanwy Tristram

No need to tell you what my train of thought was at this point – you can see for yourself.

And then I decided to try it out on a cover for Ladies of the Lakes (I drew in pencil, scanned in and then coloured over the top – this is it mid-colouring):

Myfanwy Tristram

and finally I’ve been mucking about with an idea for the flyleaves:

Myfanwy Tristram

Myfanwy Tristram

Still needs a bit of work but I’m impressed with what you can do on  a screen. I think my next challenge is going to be learning how to make brush strokes look a bit more natural and less ‘digital’.

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Ladies of the Lakes, part 1

Ladies of the Lakes by Myfanwy Tristram

As long-time readers will know, I often record holidays in the form of a sketch diary.

Now, my trip up to the town of Kendal in the Lake District last October wasn’t exactly a holiday; I was there for the Lakes International Comic Art Festival, selling comics. Nonetheless, so much happened in the 4 days away from home that I felt I wanted to record it.

And while my sketch diaries normally comprise just as much text as they do images, it seemed appropriate to do this one entirely in the form of a comic. That partly explains why it has taken almost six months to finish it: the other reason, of course, was that a few weeks in, admin for Draw The Line started taking up all my spare time and I had to put it aside.

Never mind – it’s done now: all 34 pages of it. I’m going to serialise it in 8 parts and I hope you enjoy it.

Myfanwy Tristram Ladies of the Lakes p1

Myfanwy Tristram Ladies of the Lakes p2

Myfanwy Tristram Ladies of the Lakes p3

Myfanwy Tristram Ladies of the Lakes p4

Myfanwy Tristram Ladies of the Lakes p5

Myfanwy Tristram Ladies of the Lakes p6

Myfanwy Tristram Ladies of the Lakes p7

Myfanwy Tristram Ladies of the Lakes p8

Read on to part 2

Sketches from Kendal

Our trip to the Lakes Festival was so eventful that I plan to make a comic about it — that’s always supposing life quietens down enough to allow for a bit of drawing soon.

Meanwhile, here are a few sketches I did from behind our table. Click any of them to see at a larger size.

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If you’re drawing directly from life, you end up with a lot of views of people’s backs, which isn’t the most compelling subject. That’s because the ones who have their faces towards you are probably also talking and/or buying stuff.

early-customers by Myfanwy Tristram

These were the very first three people to come to our stall. No-one sticks around long, and I soon remembered how much more comfortable I am working from a photo — so a quick snap on the phone it was.

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Zara and I both drew these ladies, having been struck by their super hair – here’s Zara’s version.

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On the way to the loo, I spied these young adults in a shaft of sunlight: clearly they couldn’t wait until they got home to start digging into their new comics.

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And finally, I drew this child and woman from a photo, while traveling home from Kendal. Not bad, if I do say so myself, on very little sleep and a bumpy train table! I don’t know if the two subjects were related to one another, nor whether the woman’s slightly disapproving look was directed at me for pointing my phone towards her, but I do like the resulting picture.

 

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