Four colour linocut Christmas card

Lino cuts by Myfanwy Tristram

For some reason, when it’s time to make Christmas cards, my first thought is always to turn to linocuts. It’s a shame that my first thought doesn’t happen about four weeks earlier than it does, mind you, because I’d really like to spend a bit more time getting my technique nailed down.

That said, this is the first time I’ve tried doing a linocut of more than one colour, and to my amazement — despite a few nailbiting moments — it worked.

It’s a multi-step process, and as usual, I’ve been using the time I have each morning before work to get it done. That’s had the side effect that for much of the time I was working in a just-woken-up fog, so for my sake as much as for yours, I’m recording the process for future reference.

1. The original sketch

Sometime in early November, I was idly doodling in a notebook and out came a sketch I rather liked. Note to self, that would have been a good time to get started. But no, I didn’t think of it again until early December. As soon as I finish this blog post I’m going to put a note in my calendar for next year. Watch me dazzle everyone with efficiency in autumn 2018.

reindeer skecth by Myfanwy Tristram

2. Colour tests

December came around, and I thought I’d try drawing up a colour picture from that initial sketch. I used pencil crayons (and less successfully, felt pens) to  finalise the design.

pencil crayon reindeer sketch by Myfanwy Tristram

I had some inks left over from previous projects, so I had some idea of what colours I’d be using. I tried out overlaying them in my sketchbook, so I could see the different colours that could be achieved with varying degrees of water or white ink mixed in.

As with many art media, you are supposed to make prints by putting down the lightest colour first (and in the end that’s what I ended up doing) but I did note that the yellow could be overlaid over the light blue to make quite a pleasant green. Anyway, look how many different tones you can make with just two colours and white!

Myfanwy Tristram

 

3. Tracing paper

I traced the picture so that I had three versions – one for each main colour (the 4th colour is the nose, so no complicated working out there).

Myfanwy Tristram

4. Photoshop

At this point, if I was confident, I could have gone straight to carving, but because I’d never done a multilayered print before I thought I’d scan in the tracing paper and colour each layer in Photoshop to ensure that they lined up as I was expecting.

Myfanwy Tristram

Of course, prints come out back to front, so I had to flip these over before transferring them onto the lino. After that I carved away the parts where I didn't want any ink, ie the parts that would be white on the page.

It worked! Mind you, this is in the lovely clean world of Photoshop, with each colour set to 50% opacity, which I didn’t know I’d be able to achieve with the inks. Then again, it was a relief to think that even if the lino prints didn’t really work out, I could always print these from my computer!

5. Carving

The two main things to remember when carving the lino are that a) you have to do it back to front, so the reindeer pointed to the right; and b) you remove the parts where you don’t want any ink. That might sound obvious but in my experience it’s easy to get confused! And a) is particularly important if you are including writing. Not a consideration for me this time, thank goodness.

Lino cuts by Myfanwy Tristram

6. Test prints

 by Myfanwy Tristram

I happened to have a roll of newsprint around, so I tried out various colour combinations and the order of overlays. I’m quite glad I did this, as it meant I had some techniques for higher-quality results all worked out by the time I moved onto proper, more expensive paper.

My top tips here are: a) keep some tissue around to wipe clean the parts where you don’t want ink, because as you make prints it tends to accumulate; b) make little corner marks when you position the first piece of lino, so you can line up the subsequent ones; c) keep the ink reasonably light, but roll over the paper multiple times to make sure you’ve covered every part; d) after you’ve finished, wash the lino with a damp cloth, but don’t get it too wet or it will start curling up. I let mine flatten out under a pile of heavy books.

7. Print!

First colour down:

 by Myfanwy Tristram

2nd colour (after a 24 hour wait so the first colour could dry):

 by Myfanwy Tristram

And third. Thank goodness, it worked! I’d been a bit worried looking at the two-colour prints, but it was the darker blue that tightened it all up.

 by Myfanwy Tristram

The final touch was the red nose on each. I did carve a wee circle but in the end it was easier just to paint these by hand:

Myfanwy Tristram linocut reindeer cards

Myfanwy Tristram linocut reindeer cards

And there you go – finished. If you receive a Christmas card from me this year, now you know what went into it. Don’t expect one quite yet though… they’re taking a little time to dry… relatedly, I may also need to remove a few cat hairs :)

My final tip is to make loads more than you think you’ll need. I did this and I still came out with slightly fewer perfect ones than the number of people on my list. Hopefully people will like the imperfect ones just as much. And let’s not even mention the several prints I did before thinking through which end of a piece of paper they’d need to be to be able to fold them into a card…

I would like to take some more time to get better at lino cuts: some of the ones I’ve seen online are so clear cut (literally) and adept, while these are much less predictable and every one is different. Not necessarily a bad thing but it’d be nice to be more in control.

Really important cartooning: Threads by Cartoon Kate

  

I’ll post the last of my daughter’s daily outfit drawings at the end of the month – might as well bundle in the last two days with week 4.

Meanwhile, there’s nothing that makes little fashion sketches look so inconsequential as a cartoon doing something really powerful, political and potentially game-changing. 

This week my friend Kate shared her story of going out to the Calais “jungle” to help refugees there: Threads

As so often, it’s the small observed details that make it so hard-hitting: the stepped-down shoes, the child complaining that they are not tired: everyday minutiae that make the extraordinary circumstances they are seen within all the more shocking. Beware, you may cry. But you will also come away with more understanding. Brava, Kate.

Underdog triumphs! 

I was honoured and very surprised to hear that my one-page comic strip Underdog won second prize in the comic art competition at Thought Bubble.

Thought Bubble is a massive annual comics convention in Leeds, encompassing all types of comic, from super heroes to hastily-scrawled zines. I was particularly touched that there is also room for a middle-aged woman’s story of something as mundane as parenthood.
My prize was a bulging bag of comics and graphic novels, in which I’ve already discovered some unknown-to-me gems.

But the most exciting part of the prize is that Underdog will also be published in next year’s official Thought Bubble anthology, along with other winners (including the ace under 18s category). Woo hoo to a wider readership!


Sorry for the rubbish phone snap, but here’s Underdog projected onto the big screen at the prize ceremony. You can read the strip here.