I did say I would report back from the Panel Show exhibition at Sunnybank Mills in Farsley, and here it is!
Thanks so much to Beth Dawson (whose work is also in the show, and whose comic is available to buy in the gallery shop) for taking me there. It’s a beautiful place — as you’d guess from the name, an old mill, so a huge space with vast windows and tons of light — and the exhibition is spot on. Kudos to Si Smith for all his hard work in curating and managing it.
The best thing about the show was its focus on ‘process’. Most artists had provided not just a finished piece of work, but one, two or three steps within the process of making it: sketches, inks, and then the final page, for example.
As a comic artist myself I found it very interesting to see how different people work (and especially those working to ‘proper’ methods for the big comic publishers); I think even those who don’t draw themselves would also find it elucidating to understand what goes into a final page.
Dean Ormston Age of Doom for Dark Horse. Apologies for the terrible picture, but it’s interesting to see the paper this was drawn on with the printed lines to show the bleed area and the placement of the more important central content. In other words, no-one cares if a few snowflakes get cut off the edge of the page, but you don’t want to lose the actual cityscape.
I was thrilled to see this page from Sara Varon’s Bake Sale, not just because the book was a favourite when my daughter was small, but because this very image of the strip of bacon getting over-excited at a parade was a long-running source of mirth in our household. Well, you try reading a book out loud and then getting to that part, without at least cracking a smile.
You can buy prints of some of the artwork and I must say I was tempted by this one (but then remembered the limited amount of wallspace back home…)
There’s a big range of different types of comic at Panel Show, from self-published zines, to indie graphic novels, to the Beano and Tank Girl. Basically, you get to read comics for about an hour, and then buy comics in the gift shop, and you really can’t ask for much more than that.
While I was in the Leeds area, I also visited their amazing art gallery. It’s free to get in, it has a great collection, contains several panels of a big a tapestry made by the community, and even has an art library in it. People of Leeds, I hope you know how lucky you are!
While poking around to find the tapestry, I also came across the best thing of all — their zine library.
I left some Draw The Line postcards there, which (of course) I hope will inspire zine-lovers to pledge for the book.
Well done Leeds, you were a very good city to visit.